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Announcement

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You can now like us in an official capacity.

Head on over to http://www.facebook.com/BackSeatProducers and give us a like so we can spam enlighten you with news articles and a heads up when new content drops on the website.

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Back Seat Box Office BSBO Results Shows

Back Seat Box Office #123 Results and Voice Mail

Congrats to Art for his perfect score of 25!

Thanks to Art and Tad for their voicemails.

Categories
Announcement

Weekend Box Office: Jan 25-Jan 27

#1 Hansel and Gretel: Witch Hunters from Paramount opened at #1 with a gross of $19.7 million in 3,372 theaters.  Budget was $50 million.

#2 Mama from Universal fell from #1 to #2 with a gross of $13.1 million (-53.9%) in 2,682 theaters (+35).  Total gross to date is $48.9 million.  Budget was $15 million.

#3 Zero Dark Thirty from Sony/Columbia fell from #2 to #3 with a gross of $9.7 million (-38.6%) in 2,929 theaters (-17).  Total gross to date is $69.8 million.  Budget was $40 million.

#4 Silver Linings Playbook from Weinstein Company fell from #3 to #4 with a gross of $9.4 million (-12.2%) in 2,641 theaters (+118).  Total gross to date is $68.9 million.  Budget was $21 million.

#5 Parker from FilmDistrict opened at #5 with a gross of $7 million in 2,224 theaters.  Budget was unknown.

#6 Django Unchained from Weinstein Company rose from #7 to #6 with a gross of $4.9 million (-36.2%) in 2,007 theaters (-509).  Total gross to date is $146.2 million.  Budget was $100 million.

#7 Movie 43 from Relativity opened at #7 with a gross of $4.8 million in 2,023 theaters.  Budget was $6 million.

#8 Gangster Squad from Warner Bros. fell from #4 to #8 with a gross of $4.3 million (-50.5%) in 2,590 theaters (-513).  Total gross to date is $39.7 million.  Budget was $60 million.

#9 Les Miserables from Universal fell from #8 to #9 with a gross of $4.2 million (-43.7%) in 2,201 theaters (-378).  Total gross to date is $137.5 million.  Budget was $61 million.

#10 Broken City from Open Road Films fell from #5 to #10 with a gross of $4 million (-51.4%) in 2,622 theaters (+2).  Total gross to date is $15.3 million.  Budget was $35 million.

#11 Lincoln from Buena Vista held at #11 with a gross of $3.9 million (-29.4%) in 1,909 theaters (-265).  Total gross to date is $167.1 million.  Budget was $65 million.

#12 The Hobbit: An Unexpected Journey from Warner Bros. fell from #10 to #12 with a gross of $3.4 million (-45.2%) in 1,675 theaters (-648).  Total gross to date is $293.3 million.  Budget was unknown.

 

The combined gross of the top 12 movies this weekend was $88.5 million.

Sources:
Box Office Mojo

Categories
Back Seat Producers Season 08 Shows

BSP Episode 255: Glengarry Glen Ross

Release date:  10/2/1992

New Line Cinema

Directed by

  • James Foley

Produced by

  • Jerry Tokofsky
  • Stanley R. Zupnik

Screenplay by

  • David Mamet

Based on Glengarry Glen Ross by David Mamet

Cast

Al Pacino

  • Ricky Roma

Jack Lemmon

  • Shelley Levene

Alec Baldwin

  • Blake

Jonathan Pryce

  • James Lingk

Kevin Spacey

  • John Williamson

The hosts review:

  • Deuce’s type of movie.
  • Darrell likes it less and less each time he sees it.
  • How can you be this despicable all the time?
  • Tony thought there were a few places where they could have slowed down the dialogue.
  • Pacino, Spacey and Lemmon seemed to “belong” in that movie.
  • Pacino outperformed by Spacey and Lemmon?
  • Everyone outperformed by Lemmon.
  • Pacino impersonations… please no.
  • Dirty sales tactics for legitimate real estate sales.
  • After seeing the movie when it was new and seeing it again years later, some of the shine is gone.
  • North American grosses were less than its budget.
  • Geez, Tony, leave some trivia for the rest of us.
  • The power of chewing gum.
  • The Tonys would see it again; Darrell is probably done with it.
  • Kevin Spacey bio.

Trivial bits ‘n pieces:

  • “F&#k” and its derivatives are said 138 times.
  • “S@^t” and its derivatives are said 50 times.
  • “Lead” or “leads” are said 83 times.
  • During production, the actors referred to this film as “Death of a F&#kin’ Salesman.”
  • None of the major roles were auditioned; the actors were all offered their roles, although Jack Lemmon said he would have been glad to audition for such a good role.
  • Alec Baldwin based the tone and delivery of his famous monologue on George C. Scott’s “Wars are won…” speech from Patton.
  • This film has been used to train real salesmen on how to see and how not to sell.
  • There is only one female character in the entire film… Coat Check Girl.

Your Producers for this episode were:

  • Tony
  • Darrell
  • Tony/Deuce

This episode was recorded: 1/9/2013

 

 

Categories
Announcement

Theatrical Review: Hansel & Gretel: Witch Hunters

Young Hansel and Gretel have been seemingly abandoned by their parents in the forest. The two children are cold and starving. They walk together through the forest and come upon a house made entirely of candy. They think they’ve found salvation, but once entering the house, they’re horrified to find that it belongs to an old witch who certainly has her own fiendish plans for the siblings. As the witch is enacting her plan, Hansel and Gretel find an opportunity to kill the witch and escape the house, never to see their parents again.

From there, both then dedicate their lives to stamping out the threats posed by witches. Years later, the duo have made quite the name for themselves and have now come to a small village that’s facing a series of child disappearances, believed to be at the hand of some sort of witch threat.

That’s the premise to Hansel & Gretel: Witch Hunters and while one could look at this as sort of jumping on the same bandwagon started by movies like Red Riding Hood and Snow White and the Huntsman that’s not the case at all. Those movies (neither of which I’ve seen, so don’t take this for fact) both seemed to me to be taking the classic fairy tales and wanting to update, darken them up and make them far more serious for the Young Adult audience, and more specifically the Twilight fans. That’s not the case with Hansel & Gretel: Witch Hunters at all, and the movie goes in a direction that’s more reminiscent of what you might get if you crossed the movie Van Helsing with the films of John Carpenter. Hansel & Gretel doesn’t take itself too seriously at all, and that’s very much to it’s credit. What you have is a pulpy, comic-book treatment here that’s having a lot of fun with what it’s doing.

Credit for this goes to writer and director Tommy Wirkola, who prior to Hansel & Gretel directed Dead Snow a rollicking film that told the story of a vacationing group of medical students being hunted down by a large group of Nazi zombies (it’s a fun little film and I believe still available on Netflix Instant Play). That same sensibility is right here on hand for Hansel & Gretel which doesn’t shy away from bloody violence, but has it tempered by firmly having it’s tongue in cheek. It’s all handled at a brisk pace with a run time of under 90 minutes. It’s not the highest of budgeted films around, but it still has a great look and some pretty darn good action sequences that are certainly made more effective viewing it in 3D (which I did).

Jeremy Renner and Gemma Arterton play the title characters, and they do have great chemistry together. Both have their own individual stories as well as coming together for the task at hand and discovering what really happened when they were children. Both look like they’re having a lot of fun with this, and it’s really evident with Arterton, who not only looks terrific, but just genuinely looks like she’s loving being a bad-ass action star. Famke Janssen plays Muriel, the villainous witch of the film, and again, she looks fantastic and certainly appears to enjoy chewing the scenery here. Further support is provided by Pihla Viitala as Mina, a good witch, Derek Mears and Robin Atkin Downes playing Edward, a troll who is smitten with Gretel (Mears is the physical actor and Downes provides the voice), Thomas Mann as Ben, a young fan of the witch-hunting duo, and Peter Stormare, who plays the sheriff of the village and resents Hansel and Gretel even being there. All are doing good work here, though keep in mind, they all certainly know what kind of film they’re making as well. Awards won’t be won for this work, but it’s all in service to the vision of the film.

I had a ball with Hansel & Gretel: Witch Hunters and I certainly wouldn’t mind seeing Wirkola, Renner and Arterton come back to this later, though I’m not exactly holding my breath. If you enjoyed films like Stephen Sommers’ Van Helsing from a few years ago or more recently, last year’s Abraham Lincoln; Vampire Hunter, well, Hansel & Gretel: Witch Hunters is right in the same vein. Definitely see it if you like you action/fantasy/horror that doesn’t take itself too seriously.

Categories
Back Seat Book Club Shows Special Guests

Back Seat Book Club – Interview: Tee Morris & Pip Balantine

Guests Tee Morris and Pip Ballatine, join the BS Book club to discuss steampunk, their novel Phoenix Rising, side projects and a whole lot of miscellenia.

Hosts:

  • Lena
  • Sam
  • Scott

Recorded: 01/16/13

Categories
Back Seat Box Office Shows

Backseat Box Office #123

Picks:

Jeff

  1. Mama
  2. Hansel and Gretel: Witch Hunters
  3. Zero Dark Thirty
  4. Silver Linings Playbook
  5. Parker

Lena

  1. Hansel and Gretel: Witch Hunters
  2. Movie 43
  3. Mama
  4. Zero Dark Thirty
  5. Parker

Back Seat Art House picks:

  • Jeff – John Dies at the End
  • Lena – Knife Fight

There are no other movies out in wide release this weekend.

Here are the links to the two Hollywood Reporter/Hobbit articles Jeff talked about:

Lawyer Pens Detailed Analysis of “Hobbit” Contract Between Bilbo and Dwarves

How Harvey Weinstein Stands to Make Millions from “The Hobbit”

 

“It is BD’s world and we’re all living in it.”

Categories
Announcement

Weekend Box Office: Jan 18-Jan 20

#1 Mama from Universal opened at #1 with a gross of $28.4 million in 2,647 theaters.  Budget was $15 million.

#2 Zero Dark Thirty from Sony/Columbia fell from #1 to #2 with a gross of $15.8 million (-35.4%) in 2,946 theaters (+9).  Total gross to date is $54.1 million.  Budget was $40 million.

#3 Silver Linings Playbook from Weinstein Company rose from #10 to #3 with a gross of $10.8 million (+114.3%) in 2.523 theaters (+1,713).  Total gross to date is $54.7 million.  Budget was $21 million.

#4 Gangster Squad from Warner Bros. fell from #3 to #4 with a gross of $8.6 million (-49.4%) in 3,103 theaters.  Total gross to date is $31.8 million.  Budget was $60 million.

#5 Broken City from Open Road Films opened at #5 with a gross of $8.3 million in 2,620 theaters.  Budget was $35 million.

#6 A Haunted House from Open Road Films fell from #2 to #6 with a gross of $8.2 million (-54.9%) in 2,160 theaters.  Total gross to date is $29.8 million.  Budget was $2.5 million.

#7 Django Unchained from Weinstein Company fell from #4 to #7 with a gross of $7.8 million (-29.8%) in 2,516 theaters (-496).  Total gross to date is $137.9 million.  Budget was $100 million.

#8 Les Miserables from Universal fell from #5 to #8 with a gross of $7.5 million (-22.3%) in 2,579 theaters (-348).  Total gross to date is $130.1 million.  Budget was $61 million.

#9 The Last Stand from Lionsgate opened at #9 with a gross of $6.3 million in 2,913 theaters.  Budget was unknown.

#10 The Hobbit: An Unexpected Journey from Warner Bros. fell from #6 to #10 with a gross of $6.2 million (-32.6%) in 2,323 theaters (-689).  Total gross to date is $287.2 million.  Budget was unknown.

#11 Lincoln from Buena Vista fell from #7 to #11 with a gross of $5.5 million (-13.6%) in 2,174 theaters (+147).  Total gross to date is $160.6 million.  Budget was $65 million.

#12 Parental Guidance from 20th Century Fox fell from #8 to #12 with a gross of $4.3 million (-30.2%) in 2,337 theaters (-620).  Total gross to date is $66.3 million.  Budget was $25 million.

The combined gross of the top 12 movies this weekend was $117.5 million.

Sources:
Box Office Mojo

 

Categories
Back Seat Quickies Shows

Back Seat Quickies #77: Django – Unchained

In the seat (of a carriage, most assuredly):

  • Scott

Recorded: 01/22/13

Categories
Back Seat Producers Season 08 Shows

BSP Episode 254: The Hobbit: An Unexpected Journey

Release date:  12/14/2012

Warner Bros. Pictures

Directed by

  • Peter Jackson

Produced by

  • Carlynne Cunningham
  • Zane Weiner
  • Fran Walsh
  • Peter Jackson

Screenplay by

  • Fran Walsh
  • Philippa Boyens
  • Peter Jackson
  • Guillermo del Toro

Based on The Hobbit by J. R. R. Tolkien

Cast

Martin Freeman

  • Bilbo Baggins

Ian McKellen

  • Galdalf the Grey

Richard Armitage

  • Thorin Oakenshield

The hosts review:

  • “Your silly childhood nostalgia can’t defeat my logic.”
  • A brief biography of Daniel Day-Lewis.
  • We do not have a consensus!
  • “Listen, b*#%hes! It is a MOVIE, it is not a BOOK!” (I could just stop here; nothing better can be said)
  • Darrell goes WILD!!
  • The movie was rushed, and part of that showed.
  • Pacing problems and too long battle scenes.
  • There is more back story on Thorin in the movie than in the book.
  • David liked the parts of the movie he thought he would hate.
  • Comparisons of reading The Hobbit to reading The Lord of the Rings
  • The dwarves felt dwarfish.
  • Singing dwarves are great!
  • Martin Freeman is the Bob Hope of this movie.  He’s surrounded by craziness and he’s seemingly the sanest.
  • David didn’t like Freeman as Bilbo.
  • Hugo Weaving could end up as a quadruple-triple!
  • Frodo is about ¾ moron and the other ¼ is Sam.
  • Young Bilbo is much more likable than older Bilbo.
  • Bilbo has a choice to leave; Frodo doesn’t really have a choice to leave.  Bilbo is better.
  • The fight scene with the goblins was too fast, too busy, too much.  Also, their method of bridge-building was lame.
  • Gollum was fantastic!
  • Hey, remember all the places we went to in Lord of the Rings? Let’s go there again!
  • David could do without the eagles.
  • Wait… there’s giant spiders in the next movie?!
  • The rabbit sled was very cool.
  • Deuce could have used more Bilbo Baggins, Tony could have used less Radagast and dwarves (but not the main dwarves), and David could have used less conflict between Thorin and Bilbo.
  • Deuce missed the part where Thorin Oakenshield gets his shield of… oak.
  • Elves on horseback save the party again!
  • A bit of Pacific Rim talk.
  • Morgan Freeman must be so proud!

Trivial bits ‘n pieces:

Gollum (Andy Serkis) only appears in one scene in the book, and he completed filming during the first week of production.  Serkis stayed on as Second Unit Director.

The Hobbit is the first feature film to be shot and projected at 48 frames per second, versus the industry standard of 24 frames.  The intention is to provide the film a smoother and more realistic motion with reduced strobing.  This is beneficial when viewing the film in 3D, as the higher frame rate helps to correctly synchronize the images for each eye.

Bombur doesn’t say a word along the entire movie.

Your Producers for this episode were:

  • Tony
  • Darrell
  • Tony/Deuce
  • David/Disappointment

This episode was recorded: 1/3/2013