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News

Weekend Box Office for September 25-27

#1 Cloudy with a Chance of Meatballs from Sony continues to hold the #1 spot with a weekend gross of $24.6 million (-18.8%) in 3119 theaters (no change). Total gross to date is $60 million. Budget was $100 million.

#2 Surrogates from Buena Vista debuts at #2 with an opening weekend gross of $15 million in 2951 theaters. Budget was $80 million.

#3 Fame from MGM debuts at #3 with an opening weekend gross of $10 million in 3096 theaters. Budget was $18 million.

#4 The Informant! from Warner Brothers drops from #2 to #4 with a weekend gross of $6.9 million (-33.9%) in 2505 theaters (no change). Total gross to date is $20.9 million. Budget was $22 million.

#5 Tyler Perry’s I Can Do bad All By Myself from Lionsgate Films drops from #3 to #5 with a weekend gross of $4.7 million (-51.9%) in 2120 theaters (-135). Total gross to date is $44.5 million. Budget is unknown.

Rounding out the top 10 are:

#6 Pandorum debuts at #6 with an opening weekend gross of $4.4 million in 2506 theaters. Budget was $40 million.

#7 Love Happens drops from #4 to #7 with a weekend gross of $4.3 million (-46.3%) in 1898 theaters (no change). Total gross to date is $14.7 million. Budget was $18 million.

#8 Jennifer’s Body drops from #5 to #8 with a weekend gross of $3.5 million (-49%) in 2738 theaters (+36). Total gross to date is $12.3 million. Budget was $16 million

#9 9 drops from #6 to #9 with a weekend gross of $2.8 million (-49.1%) in 2025 theaters (-35). Total gross to date is $27.1 million. Budget was $30 million.

#10 Inglourious Basterds drops from #7 to #10 with a weekend gross of $2.7 million (-28.7%) in 1960 theaters (-559). Total gross to date is $114.4 million. Budget was $70 million.

The combined gross of the top 12 movies this weekend is $82.7 million (-5.2%).

A note on “Gross”: On average, studios will earn approximately 55 percent of the final gross.

Sources:

Box Office Mojo

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Text Reviews Theatrical Review

Theatrical Review: Surrogates

In the near future, a new invention has taken over the land, the concept of the “virtual self” where the user can remain at home and by cybernetically connecting to a robot body that can safely interact with the outside world. These “surrogates” act as an idealized avatar in the outside world with the benefit of the host user never being hurt or killed in anyway. Soon though, a murder is committed that not only takes out the surrogate but also kills it’s user, and now FBI Agent Tom Greer has been called in to investigate the case.

Surrogates is the latest comic book to movie adaptation, based on the graphic novel by Robert Venditti and Brett Weldele, and it’s the newest movie from director Jonathan Mostow, who’s previously given us films like Breakdown, U-571 and Terminator 3. And it’s a lot of fun…

I’ve not read the graphic novel so I can’t say really how well it compares to that, but what’s here presents a lot of very good ideas, and though this seems to have been somewhat compressed (the running time of the film is right around 90 minutes), overall it’s story is pretty complete. It’s got a great look to it, especially with some of the more artificial aspects of the surrogates themselves, and the action in the piece is pretty darn compelling.

Bruce Willis plays Tom Greer, and it’s a pretty good and deep performance from Willis where he basically serves double duty as both his real world self and his surrogate, and the differences between the two are pretty well done on his part, with him being more bold to action when in his surrogate body and a lot more pensive when he’s forced to be his real self in a world populated by surrogates. He’s backed up with a good cast including Radha Mitchell as his partner, Boris Kodjoe as his FBI superior, Rosamund Pike as his completely disconnected wife, James Cromwell as the inventor of surrogate technology, Ving Rhames as a character called The Prophet, leader of an anti-surrogate society, and Mostow regular, Jack Noseworthy playing the initial murderer. Everybody does a great job, with me having to give props in particular to Rosamund Pike as Greer’s wife.

There really is a lot of good ideas at work here and I just wished the movie had been a little longer to explore some of that more- one of those ideas included the process of how all licensed surrogate users are all interconnected into a central system which is constantly under observation- when two of the users decide to venture a little further into illegal territory, this central base sees the action and immediately procures a warrant that lets them just as immediately shut down those users- pretty fascinating stuff to see how the justice system works with this…

Even though I wish there was more here, this still delivers a pretty good viewing experience. I know I had a great time seeing Bruce Willis back on screen and giving a top-notch performance. Surrogates is very much recommended…

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Back Seat Producers Season 04 Shows

BSP Episode 106: Jurassic Park

Welcome…. to Jurassic Park.

Nazi Dinosaurs?

We dare you not to have visions of velociraptors in Hugo Boss designed SS uniforms with shiny jackboots after listening to this episode. (Apologies to Chris for stealing this line from his email telling us he was done editing this episode.)

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Back Seat Producers Season 04 Shows

BSP Episode 105: Lock, Stock and Two Smoking Barrels & Snatch

We discuss the Guy Ritchie flicks Lock, Stock and Two Smoking Barrels and Snatch.

This one is rated Explicit, so be warned.

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Back Seat Producers Season 04 Shows

BSP Episode 104: Galaxy Quest

Yep, we chat up THE STORM CLOUD again.  Make sure you grab your copy before they are sold out.

In this episode, we discuss the 1999 Sci-Fi Comedy/Spoof Galaxy Quest.  Lots of laughs are had buy the hosts as we pick apart the flick and explain why we feel this is the way that spoofs of Sci-fi should be made.

What is most amazing is the broad range of work that the actors of this move have gone on to do since making this flick.

Let us know what yo think.

Categories
News

Weekend Box Office for September 18-20

#1 Cloudy with a Chance of Meatballs from Sony debuts at #1 with an opening weekend gross of $30.1 million in 3119 theaters. Budget was $100 million.

#2 The Informant! from Warner Brothers debuts at #2 with an opening weekend gross of $10.5 million in 2505 theaters. Budget was $22 million.

#3 Tyler Perry’s I Can Do Bad All By Myself from Lionsgate Films drops from #1 to #3 with a weekend gross of $10 million (-57.1%) in 2255 theaters (unchanged). Total gross to date is $37.9 million. Budget is unknown.

#4 Love Happens from Universal debuts at #4 with an opening weekend gross of $8.4 million in 1898 theaters. Budget was $18 million.

#5 Jennifer’s Body from Fox debuts at #5 with an opening weekend gross of $6.8 million in 2702 theaters. Budget was $16 million.

Rounding out the top 10 are:

#6 9 drops from #2 to #6 with a weekend gross of $5.4 million (-49.2%) in 2060 (+399) theaters. Total gross to date is $22.7 million. Budget was $30 million.

#7 Inglourious Basterds, in it’s fifth week, drops from #3 to #7 with a weekend gross of $3.6 million (-41.3%) million in 2519 theaters (-696). Total gross to date is $109.9 million. Budget was $70 million.

#8 All About Steve drops from #4 to #8 with a weekend gross of $3.4 million (-39.7%) in 2159 theaters (-106). Total gross to date is $26.6 million. Budget is unknown.

#9 Sorority Row drops from #6 to #9 with a weekend gross of $2.4 million (-50.8%) in 2591 theaters (-74). Total gross to date is $8.8 million. Budget was $12.5 million.

#10 The Final Destination drops from #5 to #10 with a weekend gross of $2.3 million (-57%) in 1805 theaters (-927). Total gross to date is $62.3 million. Budget was $40 million.

A note on “Gross”: On average, studios will earn approximately 55 percent of the final gross.

Sources:

Box Office Mojo

Categories
DVD Review Text Reviews

Movie Review: 9 Songs

Remove the live concert footage and the nonessential (I hesitate to call them gratuitous) sex scenes, and 9 Songs ceases to be a movie and becomes a film short.  There’s not a lot of story here.  I can’t even call it a character study, because we barely learn anything about Matt and Lisa, the couple around whose relationship the movie revolves.

9 Songs, written and directed by Michael Winterbottom, is more of a love-affair snapshot, a memory vaguely explained via brief bits of voice-over.  This shouldn’t be taken necessarily as a complaint.  The boy-meets-girl story is one that can survive some extreme paring.  Still, you get the sense that you’re not seeing anything close to the full picture.  And if you’re the kind of person who likes a little conflict in your stories, there is practically none here.

Really, writing about the story is rough.  Matt, played by Kieran O’Brien, is a geologist working on climate studies in the Antarctic.  He fills his hours mulling over Lisa, played by Margo Stilley, an American foreign-exchange student he met at a concert in England.  As the movie progresses, the couple goes to a lot of concerts and has a lot of sex.  We never see them fight.  We barely even see them have conversations.  There is one moment in a strip club that provides some tension, but even that is mild, at best, and then gone.

Part of me wants to write this movie off, call it boring, slow and uninspired.  Move on to bigger and better things.  Pick an easier movie to review.  The other part of me, though, sees something more here.  There’s an honesty to the relationship, a reality that pervades the entire movie that I can’t just discount.

Certainly, it’s not difficult to see where some of that feeling of reality comes from.  All of the concert footage is live.  So are all of the sex scenes.  This is pretty raw, and not for the easily offended.  There is no fade-to-black, or conveniently placed shrubs.  I’ll spare you the details, but know that the movie doesn’t.

There’s more to it than that, though.  The actors pull off a kind of quiet comfort that you expect from a couple who’s been together a while.  And the sex scenes are more than just physically revealing.  A few of them give more insight into Lisa’s character than all of the dialogue combined.  Unfortunately, not all of them do, and most drag on far too long.

Ultimately, I feel like this is a movie that needs to have papers written about it.  Symbolism and hidden truths, philosophy and psychology, lit and art theory.  Throw all that at the movie, but I wouldn’t call it entertainment.  Watch it to see if real sex adds to or detracts from a movie.  Watch it to see if you agree with how much story a narrative can have stripped away.  Watch it with a purpose in mind, because the film doesn’t provide you with one.

Categories
Text Reviews Theatrical Review

Theatrical Review: The Informant!

In the early 90s, a transnational corporation ADM (Archer Daniels Midland) was investigated by the FBI into matters of price-fixing around the world (primarily around the use of the amino acid lysine in food production) and all of that came about through one very big whistle-blower by the name of Mark Whitacre, a very big wheel within the company who sees himself as saving the company in the end, but who has way more going on than either ADM or the FBI knows at the start of this…

The Informant! is the latest movie from director Steven Soderbergh (one of my personal favorites) and he’s got something here that’s really unique that takes it’s swings at both corporate greed and personal ambition, all through the eyes of a guy who’s pretty likable, but makes you question him more in just what the hell was he doing? It’s a dark comedy that’s actually pretty briskly paced, but with a lot to chew on still be it’s end. Now when I say “comedy” with this, don’t necessarily expect this to be something that delivers big laughs, but more smiles and chuckle at watching it’s events unfold…

The events themselves are pretty dry, and not necessarily something that you’d think would make for all that a compelling film, but what makes them work on film though are some pretty compelling performances and a really brilliant score from composer Marvin Hamlisch, who handles this just like he did with some movies he did for Woody Allen back in the day.

And the performances are terrific. Matt Damon takes the lead here as Mark Whitacre and no one has ever seen Damon like this in a movie before, his Whitacre is a smart and passioned guy, but as revealed through commentary voiceovers throughout the action, not necessarily as prioritized as he should be. His wife, Ginger, played by Melanie Lynskey (who was the “other” girl in Peter Jackson’s Heavenly Creatures) does a real nice job as being Mark’s support and in some ways the gateway to the paths that he takes here. And it’s really nice to see actor Scott Bakula as FBI agent Brian Shephard, a guy who really wants to do the right thing, but who gets just a little too emotionally involved with his subject in the puruit of this case. With the exception of Damon, this cast isn’t exactly typical for a Soderbergh movie and also includes such people as Joel McHale (best known for E!’s The Soup), comedians Rick Overton and Allen Havey, and yeah… there’s The Smothers Brothers in roles as well.

Now this is based from a book, and I don’t have any idea just how close to the book it is, and right at the start, before the credits even roll, they tell you that they’re monkeying with some of the situations for dramatic effect, and when it ends up being something that’s just this entertaining, that’s fine. It’s a very well done and well made movie with a real top-notch job from Matt Damon and it offers a lot to chew on… very much recommended…

Categories
News

Weekend Box Office for September 11-13

#1 Tyler Perry’s I Can Do Bad All By Myself from Lionsgate Films debuts at #1 with an opening weekend gross of $23.4 million in 2255 theaters. Budget is unknown.

#2 9 from Focus debuts at #2 with an opening weekend gross of $10.7 million in 1661 theaters. Budget is unknown.

#3 Inglourious Basterds from Weinstein Co. drops from #2 to #3 this weekend earning $6.1 million (-47.2%) in 3215 theaters (-143). Total gross to date is $103.9 million. Budget was $70 million.

#4 All About Steve from Fox drops from #3 to #4 this weekend earning $5.6 million (-49.8%) in 2265 theaters (+14). Total gross to date is $21.6 million. Budget is unknown.

#5 The Final Destination from Warner Brothers loses the #1 slot and drops to #5 this weekend earning $5.5 million (-55.4%) in 2732 theaters (-389). Total gross to date is $58.2 million. Budget was $40 million

Rounding out the top 10 are:

#6 Sorority Row debuts at #6 with an opening weekend gross of $5 million in 2665 theaters.

#7 Whiteout debuts at #7 with an opening weekend gross of $4.9 million in 2745 theaters.

#8 District 9 drops from #5 to #8 with a weekend gross of $3.5 million (-50%) in 2560 theaters (-579). Total gross to date is $108.4 million. Budget was $30 million

#9 Gamer drops from #4 to #9 with a weekend gross of $3.2 million (-64%) in 2502 theaters (unchanged). Total gross to date is $16.2 million.

#10 Julie & Julia drops from #7 to #10 with a weekend gross of $3.1 million (-40.7%) in 2342 theaters (-186). Total gross to date is $85.2 million. Budget was $40 million.

A note on “Gross”: On average, studios will earn approximately 55 percent of the final gross.

Sources:

Box Office Mojo

Categories
Back Seat Producers Season 04 Shows

BSP Episode 103: Star Trek

We talk about one of the biggest films of the year… No I didn’t bother to check if it actually was.

Special thanks to special guest Aron Head of Ideology of Madness and Funny Books with Aron and Paulie.

Let us know what you think and be sure to check out Aron’s other work… Including this amazing 4 part interview he did.

Also, make sure you order your copy of THE STORM CLOUD today.