Month: September 2009

At a United States science facility based in the Antarctic, U.S. Marshal, Carrie Stetko, who basically has a very routine job at the site, now all of a sudden has murder mystery at her hands, and must come to grips solving this murder right as a major arctic storm is about to enforce the evacuation of the same site.

That’s the basic premise to Whiteout, the latest comic book-to-film translation adapting the acclaimed series by creators Greg Rucka and Steve Lieber to the big screen. It’s also the return to the big screen for director Dominic Sena, who hasn’t been seen since Swordfish and the remake of Gone in 60 Seconds. And it’s a pretty darn good film, not spectacular, but a solid film.

I’ve not read the comic and out of the three of us that went to see this together, only one of us had read the book and according to that one, there are cosmetic changes from the original but for the most part, the movie did follow the book. For Dominic Sena, it seems that the time away from a big screen project has tempered him, and instead of opting for some of the higher energy of his earlier films, this is way more laid back in it’s visual presentation, and at least to me, perfectly fitting with the piece itself.

It’s a good and solid murder mystery, though not at all overtly flashy, but with some nicely drawn characters and a story that, again to me, doesn’t cheat in anyway, in other words, all of the pieces are there for this to come to it’s logical conclusion. I’ve heard that this is getting some bad reviews, with one in particular coming from Entertainment Weekly that also chastises this for some “gratuitous nudity” at the start of the film, that after seeing it myself makes me think that it must’ve been a slow news week for EW when this was reviewed and that it’s reviewer was just scraping for something to rail about, as what’s here is hardly gratuitous at all.

The thing Whiteout isn’t though, is it isn’t a big spectacle for the theatres, and it’s a hard sell for anyone other than those that know it’s roots and are predisposed to see it because of that- now I’m not complaining about that, I really enjoyed the film, and I give props to Warners and Dark Castle for making the movie and having something that’s a little different out there, though it’s disheartening that it can’t be recognized for that and in turn will only be judged by what it can turnover in it’s opening weekend.

There are really no big names at work here, Kate Beckinsale who plays Carrie is the most well known, but she’s hardly box office gold, but to me anyway, she’s totally right for the part and she does a decent job as Carrie Stetko, and has some weight behind the performance. She’s backed up with a solid performance from Tom Skerritt as her close friend and confidant on the base (and it’s been awhile since I’ve seen Skerritt in anything on the big screen as well) and Gabriel Macht (last seen as The Spirit) who’s playing one of the changed characters here, a UN agent sent in to help with this investigation, who’s also serving a dual purpose as someone to raise our suspicions over. I really liked Macht here, and as I was watching him, I thought he’d actually be a good choice for Marvel to pursue as Captain America for their upcoming film, but I digress…

In the end though, I think this is a pretty solid film and I would hope that fans of the original material will like it, I know my one friend who read the book did. But other than that, is it the sort of thing that’s going to get anyone else real excited to actually make the trip to a theatre to see it, especially in these current times, I don’t think so, and that’s really sad that most just won’t even give it that chance, but more opt for it later on when it hits DVD and more than likely on cable.

In a post-apocalyptic setting, the future for any sort of life rests in the hands of 9 little burlap bag-covered robotic creatures…

That’s all I’m going to say about a synopsis to the new animated movie 9 from director Shane Acker and producers Tim Burton and Timur Bekmambetov (I expect most reading this know who Tim Burton is, but for those who don’t know Timur Bekmambetov, he directed the movies Nightwatch and Daywatch and most recently directed Wanted) a very imaginative dark fable that was originally a short film and is now adapted to a feature, though a very short feature weighing in at about 80 minutes. For a video gamer, you might almost think of this as a Fallout 3 fairy tale.

It’s a really stunning looking film, with a terrific art style and given “life” with state of the art computer animation, that’s the really obvious side of things. It’s story though, asks you to bring something to the table on this, and I never think that’s a bad thing for a movie to do at all. I’ve been reading some of the comments for this on IMDB, and reading lots of complaints of plot holes, lack of character development and just not having everything explained to you, and I don’t know, but I just didn’t see that at all and didn’t feel the need to even question these things at it’s end. I thought there was enough there that you could fill in your own blanks as to what happened, the characters of the little robots are indeed somewhat two-dimensional, but there’s a good reason for this (and yet I thought they were still way more human than what you’d see in a Transformers or G.I. Joe), and I actually gave a damn about the little guys…

Sometimes I have to wonder that if 2001: A Space Odyssey came out today would it even stand a chance with that kind of mentality…

But still, I thought this was very good with very nice visuals, a lot of great ideas, and a very good vocal cast including Elijah Wood, John C. Reilly, Christopher Plummer, Martin Landau and Jennifer Connelly, all giving life to the little hopes for the future. It’s certainly nothing like what you’re used to seeing from most of today’s computer animated films and I give Shane Acker credit for not telling you absolutely every little detail to how this world came to be… it adds to the fable/fairy tale quality of the film and if you don’t mind filling in the blanks on your own a bit (and it doesn’t really take that much to do it).

I really enjoyed the hell out of it, and would just love to see more animated movies taking chances in these type of directions. For those that are parents looking to take their children to this, well 9 may not be the movie for them as it is very dark and disturbing in it’s own way, though at the theatre that I saw this at, there were some children there, and as I the credits rolled, from what I could hear in the background, they really enjoyed themselves… I know I did too…

In the near future, the biggest things around the world are two video games with a big twist: One is called Society (think of The Sims or Sony’s Life) and the other is Slayers (which is of course any combat game you can think of), the catch is that these games use real people as the avatars for the players playing the game- Slayers using sentenced prisoners and Society using those just in need of a paycheck. Slayers has a further catch though, with the avatar who can survive 30 games getting the chance to go free. Both are the creation of uber-genius Ken Castle, and now right as the star avatar of Slayers, Kable, is near his 30th victory, a terrorist group called Humanz is on the verge of exposing Ken Castle’s terrifying secret for the future…

That’s the premise of Gamer the new movie from the team Neveldine/Taylor (Mark Neveldine and Brian Taylor) who previously gave us the [i]Crank[/i] movies. I didn’t much care for the first Crank movie (and thus didn’t see the second), but I think Gamer is a hell of a lot better, with lots of violent action, some very good science fiction ideas and a lot of biting satire. Last year, there was a movie, Death Race (which was a lot of fun) that was a re-make of the Roger Corman/Paul Bartel film Death Race 2000 and while it was fun, Gamer actually comes a lot closer to the satire that the original had going for it, while still keeping the thrills of the film.

Neveldine/Taylor’s visual and editing style makes Tony Scott look like a tired old man… I was put off by it in Crank but really think it works well for Gamer. And while there are holes one could see in some aspects of the storyline, I won’t necessarily think that they’re anything to different than what was seen recently in District 9, in other words, there’s enough there that you could write your own explanation if you want, though that’s not necessarily the purpose of the film. Even though at it’s core, it’s a high-adrenaline action film, there’s still some ideas at work here, and as a video-gamer my own self, lots of stuff to chew on. Neveldine/Taylor also wrote the script, and on the gaming end, I think they get a lot of it right, even if they are dealing in extremes.

The cast is pretty decent, headed up by Gerard Butler as Kable, they all handle this pretty earnestly, with the more satirical elements being handled by Kyra Sedgewick as a TV “reporter,” Michael C. Hall as Ken Castle, the creator of the games, and the young actors playing the various gamers controlling the avatars. Hall, who’s best known for the TV series Dexter really looks like he’s having a lot of fun here, playing Castle as, at least to me, like what you’d get if you crossed game developer Cliff Bleszinski with media mogul Ted Turner.

And technically, it really is a good-looking film, and it’s spastic editing style serves the purpose towards the satire of the film. It is extremely violent though, and if that thing turns you off, then you’re forewarned.

I had a real good time with it though, It’s action is very good, there’s some good ideas at work here (though not as entirely fleshed out as they could be) and what I thought lots of good media and gaming satire that’s seems right on the money, and for that, Gamer gets a big recommendation here…