Theatrical Review: Red Dawn

In Spokane, Washington, returning Iraqi war vet Jed Eckert, is watching his impulsive young brother Matt play in a football game. There’s a little discomfort between the two brothers, but before any of it can be resolved, their town and the United States as whole finds itself being invaded by North Korean forces (with a little assistance from the Russians). Now, the two brothers begin to lead a ragtag team of other teens as a terrorist force called the Wolverines in order to free their town.

That’s the premise to Red Dawn, a remake of the 1984 film from director John Milius, and the first time effort for director Dan Bradley, who’s best known for his stunt coordination work. I have to confess, I’ve never seen the original movie- oh, I’ve always wanted to, but somehow or another I just never got around to doing it, so unfortunately, I can’t really make any comparisons to the original. As it stands though, this new version is a fairly passable time-waster that has a lot of potential, but just seems content to run everything by the numbers.

One plus that I was quite surprised about was the initial prologue to the film which basically goes into a little detail of how this is about to happen and unbelievably, it actually does set it up with the current US administration in mind. Now it doesn’t really do anything with that after the prologue, but I was quite surprised to see them actually tie this all in to current events. After that, this pretty much advances by rote- inspirational speech from the war vet, montage scene of all the training, initial successful attacks by the Wolverines, all peppered with little young adult relationship building moments in-between. There’s no big surprises here, but it’s still pretty watchable.

For the most part, the cast here is pretty good. Chris Hemsworth plays Jed Eckert, and even though this was made before Thor and The Avengers, Hemsworth already displays strong presence. Josh Hutcherson (Peeta in The Hunger Games) plays a bookish type who learns to adapt and has the big rallying moment during a Wolverine attack. Adrianne Palicki and Isabel Lucas play the girls of the group and are mostly there to give romantic moments for both of the Eckert brothers. They’re all serviceable performances and certainly keep things moving.

Two performances that I’ll call out belong to Josh Peck and Jeffrey Dean Morgan, but for different reasons. Peck plays Matt Eckert and it’s an “OK” performance, but I just have a hard time buying that he and Hemsworth are brothers- it’s more a physical thing that anything else, and this might’ve been better served had Peck and Hutcherson each played the other’s roles. Things start to spice up a little bit when Jeffrey Dean Morgan comes into play as a Marine named Tanner who’s seeking out the Wolverines for help. Even in a smaller part like this, Morgan is money in the bank and certainly brings a little more gravity to the part just by sheer presence alone.

Red Dawn isn’t a horrible movie by any means, but it doesn’t do much to really stand out either. Like I said above, I haven’t seen the original, but I certainly know of it, and actually do think that it’s a ripe film to re-make, but maybe re-making it as a feature film might not have been the best way to go. Doing this as a television series could’ve been a better route, at least on an artistic level and certainly would’ve had more opportunities to try some things that wouldn’t be just “by the numbers.” It’s a watchable movie, just as I said, but there’s other things out there right now that’s more compelling to see in theatres than this re-make of Red Dawn.

About Darren Goodhart

Darren Goodhart is a 44-year old St. Louis-based Graphic Designer and Illustrator (and former comic book artist) who's been seeing movies all his life, but on an almost weekly basis in theatres for the last 20 years and owns nearly 1,000 DVDs for his home theatre. He's learned a lot about film over the 20 year period, and has taken his appreciation beyond the mainstream. His favorite types of film are mostly genre entertainment, but he also enjoys a wide range of drama, action and cult-y stuff from around the world, and is currently re-discovering a love affair with lower budget exploitation and genre films from the 70s and early 80s. He doesn't try to just dismiss any film, but if there's a bias against one, he'll certainly tell you that in the space of his reviews.

25. November 2012 by Darren Goodhart
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