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Text Reviews Theatrical Review

Theatrical Review: Brüno

As we start, we find that young Brüno is a flamboyantly gay 19 and the top of the fashionista world in his native Austria- he’s the tops one moment and the next his world has come tumbling down. Now at his lowest, Brüno, decides to come to America with his sole goal: to become a big, famous star…

So’s the basic premise to Brüno the newest movie from star Sacha Baron Cohen, following up his fantastic success with his last move Borat with another in the same vein- partially scripted with some manufactured events and some totally real but combining to give you a comedic experience really unlike anything else out there right now. The temptation is there to say “if you liked Borat, you’ll probably like Brüno just as much,” but if our audience was any indication, that may not be true… oh for me, I laughed harder than I have at any other movie I’ve seen this year and at the same time I was just as appalled at some of the things that I saw on screen (in particular, two scenes, one involving former Presidential candidate Ron Paul and another with various “stage parents” that was really horrifying). Borat did a lot of shocking things, but with Brüno, Cohen and director Larry Charles push the envelope even further, if you can imagine that.

Now, obviously, this plays a lot with it’s character being gay and pushing that in some situations, and there’s where my one criticism lies- it’s mostly doing that with the expense of mid and southern USA in mind, definitely adding to a stereotype of those regions perceived perceptions of homosexuals. And while that perception may be true to an extent, I’d figure that given the extreme situations here that Brüno’s creating, even the most “enlightened” heterosexual, East or West Coaster might react in the same ways- it’s just more of a guaranteed laugh going the way that they’re going.

But still, I was mightily entertained, and much like with Borat I’m at the end of this just wondering how the hell they did everything that goes on here (which is something that I certainly cannot say with most of today’s conventionally scripted comedies) and just what steps are taken for Cohen’s safety in these situations. After seeing Borat, I thought that Cohen was one of the bravest performers out there, and Brüno just reinforces that.

There’s also the possibility that a little of this can go a long way (especially with some reviews that I’ve read), but I think this is paced just right and at a lean 88 minute running time, certainly packs a lot in.

But still… this may not be for everybody. Brüno goes for quite a bit of shock and for quite a bit of discomfort, even more than Borat, and understandably, that just may not be everyone’s cup of tea. I’m not exactly the biggest fan of a lot of contemporary comedies, a lot of people have told me to see The Hangover for instance, and from what I’ve seen of the trailer, I think I’ve already seen the movie (it may very well be good, I’m really just not interested in seeing it and they haven’t sold me on it being a “must view” experience with their trailer- and I can say the same thing for Judd Apatow movies, Jack Black, Will Ferrell and so on)- but with Sacha Baron Cohen’s work, I can’t say that, his work is fearless, and there’s always something there that’s just unlike anything else out there. I laughed, I cringed, and I certainly had a good time talking about this afterwards and that’s enough for me to give this one big recommendation…

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News

Clooney and Smokehouse Going to Sony

Entertainment Weekly reports that George Clooney will be packing up Smokehouse, his production company, and moving from its current Warner Bros. home over to the Sony lot.

Sony is currently negotiating a two-year deal with Clooney and his production partner Grant Heslov. Clooney has spent the last eight years at Warner Bros. producing the films Michael Clayton and Good Night and Good Luck among others. His previous production company, Section Eight which he ran in conjunction with director Steven Soderbergh, was also housed on the Burbank lot.

Smokehouse’s most recent property The Informant, starring Matt Damon and directed by Soderbergh is scheduled for a fall release Warner Bros. Next year Overture Films will debut the Clooney’s Men Who Stare at Goats from director Heslov and pairing Clooney with the talented Ewan McGregor.

Source:
Entertainment Weekly

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News

Weekend Box Office for July 3 – 5

#1 Ice Age: Dawn of the Dinosaurs from Fox debuts at #1 this weekend bringing in $42.5 million in 4099 theaters. Budget for Ice Age was $90 million.

#1 Transformers 2: Revenge of the Fallen from Paramount/Dreamworks ties for the #1 spot this weekend earning $42.5 million in 4234 theaters. Budget for Revenge of the Fallen was $200 million.

#3 Public Enemies from Universal debuts at #3 this weekend bringing in $26.1 million in 3334 theaters. Budget for Enemies was $100 million.

#4 The Proposal from Buena Vista. drops again this weekend earning $12.7 million in 3099 theaters. Budget for The Proposal was $40 million.

#5 The Hangover from Warner Bros. drops to #5 this weekend earning $10.4 million in 3070 theaters bringing total earnings to $204.1 million. Budget for The Hangover was $35 million.

Rounding out the top 10 are:

#6 Up Weekend Gross: $6,579,000 down 49% / Theaters: 2656, down 831 / Gross $264,873,000 / Budget: $175 million

#7 My Sister’s Keeper Weekend Gross: $5,255,000 down 57% / Theaters: 2606 / Gross $25,964,000 / Budget: $30 million

#8 The Taking of Pelham 123 Weekend Gross: $2,500,000 down 54% / Theaters: 1908, down 1087 / Gross $58,471,000 / Budget: $100 million

#9 Year One Weekend Gross: $2,100,000 down 61% / Theaters: 2240, down 784 / Gross $38,088,000 / Budget: $60 million

#10 Night at the Museum: Battle for the Smithsonian Weekend Gross: $2,100,000 down 42% / Theaters: 1419, down 831 / Gross $167,763,000 / Budget: $150 million

A note on “Gross”: On average, studios will earn approximately 55 percent of the final gross.

Sources:

Box Office Mojo

Categories
Text Reviews Theatrical Review

Theatrical Review: Public Enemies

1933, four years into The Great Depression and the time of bank robbers like Alvin Karpus, Baby Face Nelson and John Dillinger- and also the time when FBI head J. Edgar Hoover charges agent Melvin Purvis with the task to bring John Dillinger to justice…

… and there you have the premise to Public Enemies detailing the cat-and-mouse pursuit of John Dillinger and the newest movie from director Michael Mann. I have to say, when I first saw the trailers to this, I was real excited for the film with visions of Mann’s crime epics like Heat and the TV series Crime Story in my head, though the reality after seeing Public Enemies is more along the lines of Mann’s tepid re-make of his own Miami Vice into a film…

Sorry to say that, but this was disappointing to say the least and and way too padded out, so much so that it’s more sleep-inducing than exciting, though to be fair, there’s a few good set pieces along the way. But good set pieces just do not make a good overall movie, and what this lacks is character (which Heat had in droves) and a fun/excitement factor that would just keep you glued to the screen. I was left at the end wishing this had been more Brian DePalma’s The Untouchables more than anything else.

In Heat, there’s a lot there that basically illustrates why our protagonists are the way they are and while this didn’t have to go to the same depths that Heat does, what’s here leaves you with protagonists that are very one and two dimensional. Dillinger is given the greater emphasis and a lot of that is basically pointing you to a direction of “Well, he wasn’t really that bad a guy” at the end. Now that would be fine I think if the same consideration had been given to the other side- the law- especially because there is an equal amount of time given to both, but here Purvis and his crew are given very little other than just the acts of finding Dillinger (though some members of Purvis’ squad are shown in a blood-thirsty capacity, that’s be fine if there was more to it, but here it’s more to enforce sympathy with John Dillinger more than anything else).

I can’t fault the actors with this, Johnny Depp is Dillinger and Christian Bale is Purvis and both do decent jobs with the material that’s given. The standout to me was actually Billy Cruddup in some brief scenes playing J. Edgar Hoover. The least here is Marion Cotillard who really just didn’t leave anything lasting for me in the end.

The fault here is clearly Mann’s who wants to underplay this so much that it loses any sort of sense of fun or excitement that this should have about it. On top of that, at least to me, there’s a lot of times where it’s hard to figure out just where you’re at in the film- location-wise anyway and how all of it coordinates together. I’ve read online of a lot of technical inaccuracies to what really happened and honestly, that doesn’t really matter a lot to me in the end for something like this, as long as what you have in the end turns out to be fairly exciting.

Public Enemies doesn’t do that though, and instead, there were more times where I had to fight off sleep more than anything else. Reviews are all over the map on this, so some out there may very well like this and think it’s the greatest thing to ever hit, but for myself… I think I’ll sit back tonight and pop in DePalma’s The Untouchables again…

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News

Weekend Box Office for June 26 – 28

#1 Transformers 2: Revenge of the Fallen from Paramount/Dreamworks debuts at #1 this weekend literally destroying the competition and earning $112 million in 4234 theaters, beating out the #2 spot by almost $100 million. Budget for Revenge of the Fallen was $200 million.

#2 The Proposal from Buena Vista. drops to #2 this weekend earning $18 million in 3058 theaters. Budget for The Proposal was $40 million.

#3 The Hangover from Warner Bros. drops to #3 this weekend earning $17.2 million in 3525 theaters bringing total earnings to $183.2 million. Budget for The Hangover was $35 million.

#4 Up from Disney drops to #4 earning $10 million in 3487 theaters bringing total earnings to $250.2 million. Budget for Up was $175 million.

#5 My Sister’s Keeper from Sony debuts at #5 this weekend earning $12 million in 2606 theaters. Budget for Year One is unknown.

Rounding out the top 10 are:

#6 Year One Weekend Gross: $5,800,000 down 70% / Theaters: 3024, up 2 / Gross $12,030,000 / Budget: $60 million

#7 The Taking of Pelham 123 Weekend Gross: $5,400,000 down 55% / Theaters: 2995, down 82 / Gross $53,406,000 / Budget: $100 million

#8 Star Trek Weekend Gross: $3,606,000 down 34% / Theaters: 1823, down 484 / Gross $246,225,000 / Budget: $150 million

#9 Night at the Museum: Battle for the Smithsonian Weekend Gross: $3,500,000 down 55% / Theaters: 2250, down 712 / Gross $163,248,000 / Budget: $150 million

#10 Away We Go Weekend Gross: $1,678,000 up 92% / Theaters: 495 up 363 / Gross $4,056,000 / Budget: $17 million

A note on “Gross”: On average, studios will earn approximately 55 percent of the final gross.

Sources:

Box Office Mojo

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Best Picture Nominated Shows

BSP Episode 095: Forrest Gump and The Curious Case of Benjamin Button

These movies were a logic choice to review together.

Check out our reasons why and let us know what you think.

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Back Seat Producers Best Picture Nominated Season 04 Shows

BSP Episode 094: Frost/Nixon and Dick

Another in our Best Picture Series. Check last episode for an explanation of why we are releasing these episodes back to back like this.

Trying to catch up, and you know, someday we might even get caught up.

Also featured in this episode is a promo for Technorama and a review of Opie gets Laid.

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Back Seat Producers Best Picture Nominated Season 04 Shows

BSP Episode 093: Milk

Wow… two months?  Sheesh… good thing we currently have um… 16!!! episodes recorded that we haven’t released… So yeah, this is going to be a good weekend for you guys.

Today I’m releasing the movie that earned Sean Penn an Academy Award for his portrayal of Harvey Milk.

Tomorrow, we’ve got an episode in wherein we discuss a former President of the United States.

Sunday, an episode where we compare two movies that were written by the same screenwriter… and which are ridiculously similar.

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News

Michael Jackson suffers heart attack, reported dead.

Variety, the NY Times, the LA Times and the Associated Press are all reporting that pop icon Michael Jackson has died of a heart attack after being rushed comatose from his home in Bel-Air to UCLA Medical Center, where he could not be revived. As of this writing, CNN still had not confirmed Jackson’s death and there has been no official report.

UPDATE: CNN has just confirmed with the LA coroner that Jackson has in fact died.

Firefighters were called to the popstar’s home around midday on reports that he was not breathing. A spokesman for the Los Angeles Fire Department told CNN that rescuers were called to Mr. Jackson’s home at 12:21 p.m. Pacific. “When paramedics went on the scene, they treated the patient, then they immediately transported the patient to UCLA.”

Television news is showing images of large crowds gathering outside the UCLA Medical Center with security blocking all entrances to emergency room. The reports of Mr. Jackson’s death rocketed around the world at the speed of the internet with the news leading Friday morning newscasts in Japan.

The pop music icon from Gary, Indiana, widley known as the “King of Pop, was attempting a comeback after years of tabloid headlines, most notably his trial and acquittal on child molestation charges in 2005. Jackson was scheduled to perform as many as 50 sell-out concerts in the O2 arena in London, beginning in July and continuing into 2010. The shows were widely seen as a possible comeback for the “King of Pop”, with the potential to earn him up to $50 million.

The seventh child of the famous Jackson family, Michael started in the music business at the age of 11 as a member of the Jackson 5 with his brothers. The group had a number of hits at Motown in the 1970s. Five of his solo albums are counted among the top-selling albums of all time: Off the Wall, 1982’s Thriller, Bad, Dangerous and HISstory. He was twice inducted into the Rock and Roll Hall of Fame, and had 13 Grammy awards and 13 number one singles. He has sold over 750 million albums worldwide and his total earnings have been estimated at $500 million dollars.

Jackson has three children, Prince Michael I, Paris and Prince Michael II.

Sources:
Variety
NY Times
LA Times
CNN

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News

Bob Dylan 1978-1989 Both Ends of the Rainbow

Bob Dylan 1978-1989 Both Ends of the Rainbow was the third in a series of Dylan documentaries produced by UK-based Chrome Dreams. Now this classic documentary is available as a limited edition 2 disc set featuring the original film as well as a host of all new extras.

Bob Dylan 1978-1989 Both Ends of the Rainbow features extensive commentary on one of the most fascinating and controversial periods in Dylan’s career, a period marked by the three recordings that brought Dylan’s new Christian faith to light: Slow Train Coming (1979), Saved (1980) and Shot of Love (1981).

This Special Edition 2 Disc Set from Chrome Dreams and Pride examines this contentious and often misunderstood time in Dylan’s long career, beginning in the late ’70s and culminating with the release of his 1989 album OH MERCY. The set features rare archive footage of Dylan in concert and performing some of his best tracks as well as exclusive interviews with producers, musicians and associates who worked with him throughout the period. The collection also includes material which many say was notably laking in the first including over an hour of incredible audio interviews with Dylan, in which he discusses his conversion to Christianity and his feelings concerning the criticism he received for that conversion. He also speaks at length of the enlightenment this change of faith had brought him.

This documentary is unique in its focus on this period in Dylan’s creative life, a period that is all too often overlooked when it comes to the well documented yet ever elusive man that is Bob Dylan and for the sheer depth of insight into ’80s-era Dylan.

Retailing at only $21.95 and available from SeeOfSound.com This collection is a must have for any Dylan aficionado.