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News

Weekend Box Office For July 18 – 20

#1 The Dark Knight from Waner Bros. steamrolls into the #1 spot this weekend bringing in $155.3 million from 4366 theaters and setting at least 5 box office records in the process. Dark Knight cost $180 million.

#2 Mamma Mia! from Universal debuts in the #2 spot taking in $27.6 million from 2976 theaters. Mamma Mia! cost roughly $52 million to make.

#3 Hancock from Sony holds its own dropping only one spot to #3 this weekend pulling in $33 million, thats down 56.4% from last week. Hancock showed in 3965 theaters, down 189. Hancock’s 3 week total is $191.5 million. Hancock cost roughly $150 million.

#4 Journey to the Center of the Earth 3D from New Line drops one this week to the #3 position taking $11.9 million, down 43.3%, bringing its total so far to $43 million. Journey showed in 2830 theaters, thats up 19 over last week, and cost roughly $60 million to make.

#5 Hellboy II: The Golden Army from Universal tumbles to the #5 spot bringing in $10 million for the weekend, thats down 70% from last week, bringing its 2 week total to $56.4 million. Hellboy II: The Golden Army showed in 3212 theaters, up 8, and cost roughly $85 million.

#6 Wall-E from Disney and Pixar drops to the #6 position this weekend bringing in $9.8 million, thats a 47% drop from last week, bringing it total earnings to $182.4 million. Wall-E showed in 3310 theaters, down 539 from last week and cost roughly $180 million to make.

#7 Space Chimps from Fox debuts in a disappointingly low #7 position this weekend. Chimps showed 2511 theaters and cost $37 million.

Rounding out the top 10 are:

#8 Wanted: Weekend Gross: $5,097,000 million, down 57.5% / Theaters: 2,433 down 724 / Gross:$123,347,000 / Budget: $75 million.

#9 Get Smart: Weekend Gross: $4,085,000 down 43% / Theaters: 2135 down 951 / Gross $119,569,000 / Budget: $80 million.

#10 Kung Fu Panda: Weekend Gross: $1,750,000 down 60.3% / Theaters: 1505 down 1199 / Gross $206,506,000 / Budget: $130 million.

A note on “Gross”: On average, studios will earn approximately 55 percent of the final gross.

Sources:
Box Office Mojo

 

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Back Seat Reality Shows

BSR Episode 001:Big Brother S10 W1


Tony and Julie have been threatening to do this for a while and finally put their voices where there mouths are… um something like that.

We turn our review and analysis skills on Big Brother, CBS’s summer filler for the past nine years (and last spring during the writer’s strike.

Let us know what you think of the show, the format, the topics.

This is an experiment for us. How did we do?

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Text Reviews Theatrical Review

Theatrical Review: The Dark Knight

It’s been about a year since The Batman made his debut in Gotham City and in that time, crime has gone down and imitators to Batman have sprung up, much to Batman’s own consternation. Organized crime has had it though, and realizes that they need to turn to a new method to combat against this mysterious vigilante and so they turn to a new type of a criminal, a madman who’s been making himself known called The Joker. In the Gotham City heirarchy, another new figure is making himself known, new District Attorney Harvey Dent, also inspired by The Batman to take a tough stance on crime, vowing to clean-up the city. And now, all of these forces converge…

A very simplified take on what The Dark Knight is about to be sure, but to go further would just be wrong, as this movie, is as multi-layered as it gets, and I’d hate to spoil that for anyone. It’s complex, but not hard to follow, and long, but expertly paced so it never feels long. Technically proficient in the extremes, incredibly well acted and edited, this is one comic book movie that transcends the term “comic book movie” and could stand well with films like The Departed, Zodiac, Training Day or Heat. And so far, it gets my pick as the best movie that I’ve seen this year…

Christopher Nolan is again at the helm as he was for Batman Begins and Nolan’s dictate for these movies has been to keep it as real as he can and that’s just not confined to effects work, but character motivations and story and story flow. And what he does here, oh man, what he does here is buck every trend that most other comic book movies have and creates something that stands above all the rest.

Nolan’s set pieces in this are worthy of guys like Scorcese or DePalma and he’s willing to intercut various actions at once within them, really giving this a lot of subtext. He has high opera type of scenes, but they just don’t feel the same as they might in another comic book movie, and by that, sets a new standard that these movies should follow, a maturity that raises them above just being “another comic book movie” and something that can stand with the very best of “legitimate” drama and action films.

And yet, it’s all so true to just what Batman is in the comics… it’s about as perfect a combination as it gets.

As he did with Batman Begins, Nolan has assembled the best possible acting talent for this film, Christian Bale reprises his role as Bruce Wayne/Batman, and Michael Caine, Morgan Freeman and Gary Oldman are all back as well. Joining the cast this time though are the late Heath Ledger as the Joker, Aaron Eckhart as Harvey Dent and taking over the part of Rachel Dawes is Maggie Gyllenhaal, who (and this is a moot point) is probably the weakest part of this group (I think Katie Holmes actually had just a little more intensity to this). You’ve even got guys like Eric Roberts, Michael Jai White and Tiny Lister in some pretty cool parts in the film. Highest marks go to Ledger though, and really all of the hype around his performance is entirely justified, he’s just an incredible joy to watch here. I’ve also got to give Aaron Eckhart extremely high marks. But really, this cast behaves more as an ensemble than anything else, everybody gets their moment and they all work really well together.

I just cannot heap enough praise on this film and so far, it seems like it just might be the biggest crowd-pleaser of the year as well, and that’s rare for a movie like this, intelligent to the extremes and yet delivering the type of big action that you expect from a summer “blockbuster.”

So do not miss this one, it delivers the goods and look magnificent on the big screen. Hell, I’m hoping to get a chance to see it again within the next few weeks. It’s just that good. As I said above, for me, so far, the best movie of the year and obviously, highly, highly recommended…

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News

New Releases For The Week of
July 14th, 2008

Tuesday July 15

Asylum: Rated R. A group of beautiful coeds discover that their dorm was once a mental hospital where unspeakable experiments were performed by a deranged physician trying to “cure” troubled teens. But now the mad doctor’s ghost is back to continue his torturous work…and he’s running out of patients! Sarah Roemer (Disturbia) and Travis Van Winkle (Transformers) star in this spine-tingling thriller from the director of Final Destination 2 and Cellular. MGM

Friday, July 18th

The Dark Knight: Rated PG-13. The follow-up to the action hit “Batman Begins,” “The Dark Knight” reunites director Christopher Nolan and star Christian Bale, who reprises the role of Batman/Bruce Wayne. In the new film, Batman raises the stakes in his war on crime. With the help of Lieutenant Jim Gordon and District Attorney Harvey Dent, Batman sets out to dismantle the remaining criminal organizations that plague the city streets. The partnership proves to be effective, but they soon find themselves prey to a reign of chaos unleashed by a rising criminal mastermind known to the terrified citizens of Gotham as The Joker. Warner Bros. Pictures

Mamma Mia!: Rated PG-13. Meryl Streep will play the rebellious single mother of a bride-to-be who never met her father. The daughter invites three likely paternal candidates to her wedding, and the ensuing conflict triggers the performance of 22 Abba hits including “Dancing Queen,” “Take a Chance on Me” and “The Winner Takes It All.” Based on the crowd-pleasing musical that has played in 130 cities around the world and has grossed $1.6 billion since its 1999 opening. Universal Pictures

Space Chimps: Rated G. “Space Chimps” is a comedy adventure about two NASA chimps that are sent to a galaxy far, far away. One chimp has ‘The Right Stuff,’ and the other, a good natured goofball, has ‘The Wrong Stuff.’ The two chimps find themselves on a strange, uncharted planet, where they embark on a fantastical journey to save its inhabitants from a tyrannical leader. Barry Sonnenfeld will produce animated laffer. 20th Century Fox

Mad Detective: Rated: UNRATED. A rookie cop teaming up with a former officer to hunt down a serial killer. Milky Way Image Company

Transsiberian: Rated: R. “Transsiberian” revolves around an American couple, Roy (Harrelson) and Jessie (Mortimer), who travel on the famed Trans-Siberian train from China to Moscow. They soon encounter another couple, Abby (Mara) and her boyfriend, Carlos (Noriega), and what seems to be a simple train journey turns into a chase full of deception and murder. Filmax Animation

Falling For Grace: Rated: PG-13. Grace Tang is an ambitious Wall Street banker determined to work her way up the ladder of life and out of working-class Chinatown. Mistaken at an opera soiree as the heiress of a famous Hong Kong fashion dynasty, Grace is suddenly swept into the inner circle of Manhattan’s elite and ushered into the arms of New York’s most eligible bachelor. What follows is a whirlwind of romance and white lies, as Grace carefully negotiates her personal ties to Chinatown and the politics of Wall Street and high society. Canal Street Pictures

The Doorman: Rated: UNRATED. In “The Doorman,” a film crew has set out to make an insiders guide to the legendary New York City club scene with its most famous gatekeeper, Trevor W., “starring” as their host. Trevor has the power. He knows people. But more importantly (as Trevor points out), he knows people who know him. After mysteriously losing his job, Trevor fails to inform the film crew following him. He struggles to keep up appearances in front of the camera while his glamorous, jet-set “celebrity” lifestyle goes into an abrupt and awkward tailspin. Gigantic Pictures

Felon: Rated: R. A family man convicted of killing an intruder must cope with life afterward in the violent penal system. Stage 6 (Sony)

Take: Rated: R. The lives of two strangers – a struggling mother and a gambling addict – meet in tragedy. Years pass, and they must come to terms with themselves, and one another. Liberation Entertainment

A Very British Gangster: Rated: UNRATED. A Very British Gangster is a documentary about Dominic Noonan, a notorious leader of a powerful Blighty organized crime family who was openly gay and championed the working class. Anywhere Road Entertainment

Lou Reed’s Berlin: Rated: UNRATED. Lou Reed’s 2006 live concert performance of his 1973 concept album “Berlin”, filmed over five nights at St. Ann’s Warehouse in Brooklyn, New York. Third Rail Releasing

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News

News Briefs

Danny DeVito is set to direct Oscar-nominated “Atonement” actress Saoirse Ronan, Morgan Freeman and Pierce Brosnan in the family adventure “The True Confessions of Charlotte Doyle.” The 19th century tale of a young girl who joins in a shipboard rebellion.

Hancock” led the foreign box office for a second weekend, earning $70.4 million from 67 markets, according to data issued Monday. The Will Smith superhero comedy opened at No. 1 in 12 foreign markets, including Russia ($11.4 million), France ($9.9 million), and Mexico ($4.6 million). After two weekends, the U.K. has contributed $33.4 million, Germany $24.2 million and Korea $14.7 million. Its foreign total rose to $180.6 million.

Talk of Heath Ledger’s Oscar chances are apparently getting out of porportion. Leonard Maltin, film critic for TV program “Entertainment Tonight.”  had this to say: “All this Oscar talk is a phenomenon of the Internet age that I like to call ‘a wish-fulfillment rumor.’ If people say it often enough, they think it will happen. That’s not to say it might not happen,” he said, citing a “great performance” by Ledger. “But I assure you that the people who are spreading all this are neither Oscar voters nor (Hollywood) movers and shakers.”

Microsoft’s Xbox 360 video game console will soon be streaming thousands of movies over the Internet straight to your TV. A deal announced between Microsoft and Netflix has opened the way for subscribers to stream 10,000 movies and TV shows to Xbox consoles for viewing on television sets. The program will begin in two months. While Xbox has had movies and shows available for download before, the range has never been so comprehensive. The $50 a year Xbox gold membership, will be required for the new service.

Writer and director J.J. Abrams says his upcoming Star Trek movie will focus on the relationship between Kirk and Spock. At a Television Critics Association panel, Abrams said: “We never saw how Kirk and Spock became so connected, and this movie [reveals that].”

Warner Bros. Pictures is adapting the Capcom  video game Lost Planet for the big screen. The game revolves around an expedition to an ice planet that harbors an energy source with the potential to save mankind. Capcom is also developing all new film versions of the Street Fighter and Onimusha games.

According to Variety, Universal Pictures has resigned Wanted’s Marc Platt for five years. And one of the producer’s first tasks will be to get a Wanted sequel up and running. Platt said that the creative team is still working on the challenge of continuing the movie’s story, considering most of the principal characters – including Angelina Jolie – ended the original in no position for an encore. The film was however designed as a potential franchise and it is still performing strongly worldwide, having grossed $192.6 million to date. “The writers are at work already, and those creative discussions are taking place,” said Platt.

Michael Bay the blockbuster film director and producer spoke to Entertainment Weekly about the “Friday the 13th” remake due out Friday, March 13, 2009. “You’re just not going to believe the first 12 minutes!” He added: “I haven’t seen the director’s cut because he’s still cutting, but I know this one will really be scary,” Bay says. “It’s also funny, as well. It’s a fun college adventure that goes awry. It’s not a movie I would ever show my mom! We don’t make these for our mothers; we make these for the fans out there.”

The develoment of “Scream 4” has been confirmed via press release. Here are excerpts from the release: In a move that enhances its slate of theatrical motion pictures, Showtime Networks Inc. has entered into an exclusive seven-year film distribution arrangement with The Weinstein Company (TWC). The joint announcement was made today by Matthew C. Blank, Chairman and CEO of Showtime Networks and Bob and Harvey Weinstein, Co-Chairmen of TWC. The new output deal is effective with TWC’s 2009 release schedule and includes such highly anticipated films as “Nine,” directed by Rob Marshall (“Chicago“) and featuring an all-star cast including Daniel Day-Lewis, Nicole Kidman, Marion Cotillard, Penelope Cruz, Judi Dench and Sophia Loren, and Quentin Tarantino’s “Inglorious Bastards.” Additional titles included from TWC are the remake of David Cronenberg’s “Scanners,” re-starting the “Scream” franchise with “Scream 4,” and “Piranha 3D.” This deal furthers the relationship between Showtime Networks and TWC’s Dimension Films which began in 1997 with SHOWTIME airing “Mimic,” and “Scream 2.” “Dimension Films has enjoyed an outstanding relationship with Showtime and we are glad to be re-united with Matt Blank,” added Bob Weinstein. “We are excited to build upon our past success with this new partnership and our upcoming slate.”  

Kate Hudson has joined the cast of Rob Marshall’s “Nine,” starring Daniel Day-Lewis and Marion Cotillard. The movie is scheduled to begin lensing Oct. 10 in Britain. Hudson last starred opposite Matthew McConaughey in “Fool’s Gold.”

Reggie Lee (“Pirates of the Caribbean: At World’s End”) has booked a role in Sam Raimi’s “Drag Me to Hell,” starring Justin Long. Lee will next be seen in “Tropic Thunder.”

Sources:

MovieWeb.com
BombayNews.net
Reel Movie News.com
Esplatter.com
Variety

Categories
News

Where The Wild Things Are In Jeopardy?

The L A Times reports that Spike Jonze’s adaptation of Maurice Sendak’s Where The Wild Things Are has apparently been removed from the Warner Bros. release schedule. Scripted by Dave Eggars, Wild Things, which finished principle photography in the second half of 2006, has been under steady assault since its reportedly abysmal research screening in December of last year in which children are said to have walked out on the movie in tears.

Wild Things is a potentially dark material to begin with and no doubt poses a challenge to Jonze to walk the line between childhood wonder and childhood fear of monsters.

One of the problems may be the star Max Records whose portrayal of the movie’s lead, also named Max, appears to be being perceived as mean spirited rather than likable and mischievous.

Re-shoots have also been an issue with some of the originally live action shoots having to be converted to CGI.

Rumors have been swarming about impending doom for Where The Wild Things Are but Warner chief Alan Horn has shown strong support for Jonze and the project in an interview with Patrick Goldstein of The Big Picture Blog. He denied all rumours that Jonze has been taken off the picture saying: “We’ve given him more money and, even more importantly, more time for him to work on the film,” Horn said. “We’d like to find a common ground that represents Spike’s vision but still offers a film that really delivers for a broad-based audience. We obviously still have a challenge on our hands. But I wouldn’t call it a problem, simply a challenge. No one wants to turn this into a bland, sanitized studio movie. This is a very special piece of material and we’re just trying to get it right.”

Horn went on to say: “We try to take a few shots,” he said. “Sometimes they work, and sometimes they don’t. The jury is still out on this one. But we remain confident that Spike is going to figure things out and at the end of the day we’ll have an artistically compelling movie.”

Sources:

LA Times

The Big Picture Blog

Categories
News

Weekend Box Office For July 11 – 13

#1 Hellboy II: The Golden Army from Universal takes the top spot brining in $35.8 million for the weekend. Hellboy II: The Golden Army showed in 3204 theaters and cost roughly $85 million.

#2 Hancock from Sony gets bumped to the second spot pulling in $33 million for the weekend, thats down 47% from last week. Hancock showed in 3965 theaters and cost roughly $150 million.

#3Journey to the Center of the Earth 3D from New Line debuts in the #3 position this weekend taking $20.5 million. Journey showed in 2811 theaters and cost roughly $60 million to make.

#4 Wall-E from Disney and Pixar drops to the #4 position this weekend bringing in $33.4 million, thats a 43% drop from last week, brining it total earnings to $162.7 million. Wall-E showed in 3849 theaters, down 143 fro last week and cost roughly $180 million to make.
Rounding out the top 10 are:

#5 Wanted: Weekend Gross: $11,586,000 million, down 42.2% / Theaters: 3157 down 26 / Gross:$112,045,000 / Budget: $75 million.

#6 Get SmartWeekend Gross: $7,105,000 down 36% / Theaters: 3086 down 488 / Gross $111,468,000 / Budget: $80 million.

#7 Meet Dave: Weekend Gross: $5,300,000 / Theaters: 3011 / Gross: $5,300,000 / Budget: $60 million.

#8 Kung Fu Panda: Weekend Gross: $4,300,000 down 41.2% / Theaters: 2704 down 643 / Gross $202,043,000 / Budget: $130 million.

#9 Kit Kittridge: An American Girl: Weekend Gross: $2,357,000 down 28.5% / Theaters: 1,849 up 6 / Gross: $11,046,000 / Budget: $13 million

#10 Indiana Jones And The Kingdom Of The Crystal Skull: Weekend Gross: $2,250,000 down 40.4% / Theaters: 1664 down 528 / Gross $310,477,000 / Budget: $185 million

A note on “Gross”: On average, studios will earn approximately 55 percent of the final gross.

Sources:
Box Office Mojo

Categories
Text Reviews Theatrical Review

Theatrical Review: Hellboy II: The Golden Army

Thanks to the perception of an ancient truce being broken between the world of man and the creatures of myth, the prince of the Elves, Nuada, wants to wage war against humankind with an army of unstoppable warriors. Now it’s in the hands of Hellboy and B.P.R.D. to stop Nuada and save the world, while dealing with their own issues of the heart.

And that’s the simplified premise to Hellboy II: The Golden Army the sequel to Hellboy based around Mike Mignola’s popular comic book character. It’s been awhile since I’ve read any of Hellboy’s stories (I’m waiting for Mignola to come back and do it all again(, but I did watch the first movie again right before seeing this one. And in comparison to the first, I think this one is simply OK on a theatrical viewing, but bound to improve on future viewings at home (which is how the first one works for me as well, though I was way more enthusiastic about that one on the first theatrical viewing).

Guillermo Del Toro is back at the helm for this and while he’s still certainly up to speed with what he does visually and with the action of the piece, there’s a couple of key character pieces that have been changed and not at least on my first viewing for the better of the film. The first being the character of Tom Manning (played by Jeffrey Tambor), who at least in the first film was a pretty strong-willed character and here is made much more of a buffoon. The second is that Abe Sapien (played and this time also voiced by Doug Jones) is just a little more gawky this time around than the first, some of which can be explained by something that happens to Abe in the space of the film, but still even at the start, Abe doesn’t quite seem the same this time around.

There’s also a few moments that just seem there for pure audience pandering for the quick laugh (in particular Hellboy and Abe Sapien singing while being drunk and lamenting their love lives) that induce a little bit of a cringe here and there… I get why Del Toro would make the choice to do these things, but I don’t necessarily think the movie needs these moments in order to get their point across.

On the plus side though, I thought that the new character introduced here, the new head of the B.P.R.D., the ectoplasmic Johann Kraus was pretty cool and wonderfully voiced by Seth MacFarlane.

Ron Perlman as Hellboy is just solid as a rock though, and totally at home with this character. Selma Blair as Elizabeth Sherman is just sort of “OK” this time around, not really arousing much of anything here, but fulfilling the part. but I also give high marks to Luke Goss as Prince Nuada, who does a great job of this driven prince who feels wronged by the world of man.

Most of my problem though is just with a few choices made by Del Toro (as mentioned above) and as I said, these are things that will probably play better on later viewings at home more than on the big screen. So in the end, I enjoyed it, but it has it’s problems, so you’re own mileage might vary- It’s amazing though, no less than four comic book-based films in theatres right now, and next week it’ll be five of them and so far Hellboy II: The Golden Army is the weakest of those, but still worthy of viewing on other merits.

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News

Slate HBO and All Of Carlin's Stuff

 

George Carlin

Slate has an excellent review of the George Carlin 8 DVD box set retrospective George Carlin: All My Stuff. All My Stuff is 800 minutes of Carlin’s HBO greatness spanning the width of his 40 year career, from the ’77 performance at USC to 2005 and “Life Worth Losing”. Slate says that All My Stuff offers “a window on how his routine adapted across the decades.” The article goes on to describe Carlin’s early observational style of comedy “his expertise, he says, lies in “reminding you of things you already know but forgot to laugh at the first time they happened.” George Carlin: All My Stuff is available from Amazon. The Slate article gives a great summary of the DVDs and an interesting insight into the man.

Sources:
Slate
Amazon

 

Categories
Text Reviews Theatrical Review

Theatrical Review: Journey To The Center Of The Earth 3D

Scientist Trevor Anderson is continuing studies from his missing brother Maxwell about mysteries pertaining to geologic conditions within the Earth. When Anderson’s sister-in-law, drops off his nephew Sean to stay with him, she also leaves with him some of Maxwell’s things, among those things, a copy of Jules Verne’s Journey to The Center Of The Earth and within that book, notes that say that Verne was onto something here, something true. So Trevor and Sean take a trip to Iceland to pursue this further, and with their Icelandic guide begin their own trip into the Earth.

That’s the opening premise of the film, and there are some nice ideas in the film, but it still needs a little fire in the belly. There’s hints at immediate threat here, but because of a bigger desire to make this more family friendly in all ways (and there’s nothing wrong with that per se), the threats aren’t as all played up as they could be. The film could’ve used something that would’ve been a little more sinister, maybe a fourth player in the film, just a little something extra to add some needed conflict.

It’s not horrible by any means, and the 3D aspect is without a doubt the reason to see it, if that’s your desire, though the 3D here isn’t say as good as it is in something like Beowulf it’s still not bad either, but they just don’t stretch the potential as far as they could. Like I say, this isn’t bad, but I could’ve done with this being a little more theme-park amped up, and that could’ve really helped more with the lack of conflict.

Brendan Frasier plays Anderson and he’s really rock steady here, absolutely solid as hell, and it’s just a shame that there wasn’t another actor that could’ve countered him more. The other two actors who play Sean and their guide Hannah, do a fine enough job, but there’s nothing that’s really making them stand out either, though I do have to give credit that the kid playing Sean could’ve been really played as more obnoxious as anything else and thankfully, the kid ain’t that…

But as others have said in other reviews, the reason to see this is for the 3D, and while it’s good (and for a live action film, probably better than anything else has been out there), it’s not as good as it has been in other computer generated efforts. The way I see it, if you’re interested enough to see this in 3D, it’s not a horrible time-waster by any means, but at the same time, if you miss it, you’re not missing too much either…

On the other hand though, if I was a little kid, I could see this thing being the coolest thing I’d ever seen…