Month: August 2010

The Reverend Cotton Marcus is a man on a mission, and he believes in his own way that it is a mission for God. Marcus is a moderately successful preacher with his own showy and persuasive style. Since the birth of his son, suffering from defects, Marcus has lost his faith but still believes that he does perform a valuable service for people even though he’s way more pragmatic about how it relates to he and his family. Marcus has performed exorcisms in the past and he’s seen that others have performed exorcisms that have led to the death of their subjects. Now, Marcus is making a documentary film that will expose the secrets behind these exorcisms. He’s contacted by a man named Louis Sweetzer in rural Louisiana to help his daughter Nell, and is about to face more than he ever expected.

The Last Exorcism is a low-budget horror film from producers Eli Roth, Strike Entertainment and directed by Daniel Stamm. Now I’m not really familiar with either of Stamm’s other movies, but I’m definitely familiar with work coming from Roth and Strike Entertainment. Roth of course directed Cabin Fever and the Hostel films, all of which I enjoyed very much. Strike Entertainment was behind the Zack Snyder re-make of Dawn of the Dead and I hold that remake in the same high regard as the original. So having this producing crew behind The Last Exorcism had me looking forward to the movie. For the most part, I think it delivers, though I do have one small problem with it.

This film is shot in the same fake documentary style as movies like The Blair Witch Project, Quarantine and last year’s big smash, Paranormal Activity and right off the bat, I know that will be a big turn-off to a lot of viewers. Whether you see it as an over-used gimmick or you’re just turned off by the shaky hand-held camera style, if you’re turned off by this, then just avoid it at all costs. Personally though, I love this way of filmmaking. It throws you smack dab into the middle of things and doesn’t do anything uncomfortable in it’s set-up. It also doesn’t rely on overly flashy effects, and due to the hand-held camera work, forces you to rely more on your imagination for the real horror.

But, there is a problem within this presentation and it’s just by the fact that the creative team decided to use some minimal music in some scenes to both heighten and dull some of the moments. Now I can understand why they did this. If you check all sorts of movie messageboards, you can certainly see that some are turned off by this style. So, in my opinion, I can see the addition of music to be a tool used to say that this is more your traditional sort of movie rather than the fake documentary. I think it was a mistake to go that route though and the film as a whole would’ve been much more effective had they chosen to exorcise the music from it.

That’s my only gripe. The rest of this, I thought was very well-made for the style of film. It features a nice twist, that I certainly didn’t see coming, at the end. I thought that was a nice little throwback to some horror movies of the 70s. The best part though is the earnest performances from it’s cast.

Patrick Fabian plays Cotton Marcus and he’s really good, sort of coming off to me as what you’d get if you crossed Jeff Daniels with Marjoe Gortner. A good portion of the start of the movie is used to put us in Cotton’s shoes and Fabian has a great charisma that made me want to join him on the road. I’ve also got to give high marks to both Ashley Bell who plays Nell Sweetzer and Louis Herthurm who plays her father, Louis Sweetzer. Bell is appropriately sweet and innocent until the moments of possession sinks in and then she’s just as appropriately creepy. Herthurm was the only cast member who I was familiar with, having seen him in all sorts of character parts in the past. He gets some real shining moments here and certainly has some believable conviction.

I did enjoy this, though as I said it loses some marks from me for it’s unnecessary use of music. As the credits started to roll, I overheard the couple sitting behind me making their comments. The woman really liked the movie while the man with her said “It’s cheesy.” Well, I just had to ask him why. And I know I took him by surprise with that, but still I was genuinely curious. He took a moment and said “It was fake.” to which I immediately asked “How could it be “real?” (though I admit it’s hard to emphasize the quote portion of that) and I didn’t get an answer. Again, I understand that, I was putting the guy on the spot and I can certainly understand if something like the inclusion of music added to that. I tend to think that he more wanted to see a more traditionally-produced horror film and was just turned off by this film’s obvious low-budget approach. I think that will be the case with most who do see this, but regardless, I still had a great time with it.

Pretty simply, every year, the small resort area of Lake Victoria sees it’s population rise thanks to the influx of thousands of college students wanting to party their brains out for spring break. This year is no exception, but with one addition: a small earthquake hits opening a fissure in the lake bottom, releasing thousands of prehistoric piranha on an unsuspecting spring break populace.

That’s the premise to Piranha 3D, the latest film from horror director Alexandre Aja. It’s also a remake of Joe Dante’s 1978 film Piranha, recently rereleased on DVD as part of Shout! Factory’s Roger Corman’s Cult Classics. And it’s one hell of a good time, especially if you enjoy over-the-top exploitation movies.

This movie lets you know what you’re in for right from the start with it’s opening scene. Featuring a cameo appearance by Richard Dreyfuss, playing a fisherman named Matt, singing the song, “Show Me The Way To Go Home,” this scene acknowledges the intentions of the original movie (being a Jaws rip-off) and sets you up for the wild ride that you’re about to take.

That wild ride is very bloody, very violent and filled with gratuitous nudity (it very much earns it’s R rating- this one isn’t for kids). It’s all in glorious 3D and just fun as all get out. Like the original, everyone here knows just what kind of movie they’re making and it’s all played very straight (with one notable exception), just like it should be.

Previously, Alexandre Aja made the very effective French horror film, High Tension which got him a lot of notice. From there, he headed up the remake of Wes Craven’s The Hills Have Eyes and gave us a fun ride with that as well. After that, came the thriller Mirrors with Kiefer Sutherland, that I wasn’t quite a s enamored with.

When I first heard Piranha 3D was coming, I was looking forward to it, though at the time I hadn’t seen the original movie. Since seeing the original, and knowing that Aja was attached to it, that raised my expectations quite a bit and I wasn’t disappointed in the slightest.

While this varies in story points from the original, structurally it runs the same course with it’s set-up, character introduction, a couple of mini-climaxes and an ending that even uses the same escape scenario. Characters are simply drawn and serviceable to what we really want to see.

It looks great and runs counter to the visuals of Aja’s other movies with tons of bright color and detail. The visual effects with the piranha is pretty obvious CGI work, and by that obviousness, very suitable to the exploitation feel of the movie.

We’ve got a good cast in this film and as I said above, they know what kind of movie they’re in and they go with it. Elizabeth Shue plays Lake Vicotria’s sheriff and it’s really cool to see here do something like this. Ving Rhames is her bad-ass deputy who has his own way of dealing with the piranha. Stephen R. McQueen plays Shue’s son, who’s the hero focus of the film, and he’s suitable to the movie, though more of the fun is being had by the bigger names. Those include the above-mentioned Richard Dreyfuss, Jerry O’Connell and Christopher Lloyd. Dreyfuss, is purely there for the set-up and I thought it was very cool that he did it. O’Connell plays a Joe Francis (Girls Gone Wild) type of character as the over-the-top Derrick Jones. Jones is in Lake Victoria to shoot his latest video, Wild Wild Girls, and right from the start, you pretty much know what’s going to happen to him in the end. Christopher Lloyd is the notable exception that I alluded to above. He plays the town expert who informs the sheriff of just what she’s dealing with. Right from the moment we see him, he’s in his full Doc Brown glory and chews more scenery than the piranha do. But y’know, I really wouldn’t have it any other way. It doesn’t deter from anything else that has happened in the movie up to that point and really just emphasizes the movie’s fun factor.

I think the 3D is just terrific here. It’s a shame that earlier in the year we had to have some movies with tacked on 3D, because they just took away from the real fun that you can have when a movie is legitimately made with 3D in mind. Like Step Up 3D, Piranha 3D uses it’s gimmick very well with not only immersive depth of the environment but with plenty of reach-out-and-touch-it moments. It works great for all of the piranha scenes and it’s really well-used with an underwater erotic scene that Derrick Jones is filming.

Piranha 3D ain’t for everyone, that’s for sure, but then that’s the case with most exploitation movies. Make no mistake, this is pure exploitation and if that’s you’re thing (it’s mine) and you’re willing to let your hair down, you should have a great time with this. As a remake, I’d put this on the same par as Zack Snyder’s remake of Dawn of The Dead, a movie that can stand right alongside with the original. With Robert Rodriguez’s Machete around the corner, and with Piranha 3D out now, it’s great to see that these sort of movies are still getting released, especially in the wake of Grindhouse’s failure to do big box office. Now we just need Rob Zombie to make a full length version of Werewolf Women of the S.S.

Barney Ross is the leader of a group of mercenaries called The Expendables and they’re about to take on a job where they overthrow a dictator in a small country called Vilena.

That’s about all I’ll say about the overall story to The Expendables, the long-awaited movie from director and star Sylvester Stallone that gathers together some of the greatest ever stars of action movies. Has it been worth the wait? Well, I certainly think so.

Since making Rocky Balboa a couple of years ago and then following it up with Rambo, Stallone’s been showing up that he still has the chops to make a darn good movie, and The Expendables just adds to that, and in my opinion surpasses those two great movies.

This is a cool throwback to 80s action movies with some modern techniques thrown in. The story and character interaction remind of the sort of thing that we would see from writer Shane Black (the Lethal Weapon movies) and that’s very cool, as every character gets a chance to have their little bit of spotlight in the movie.

Yeah, it’s high-charged action but at the same time, it has those moments where it’s allowed to breathe and spotlight more than just moving from action sequence to action sequence. It’s also very self-aware of the type of movie that it is, but it’s not a mocking self-awareness, it’s all played straight.

But really, the main thing that we’re going to see this movie for is just it’s terrific assemblage of action movie stars. And while Stallone is the lead, it never once felt to me like he was dominating the movie, this really felt like an ensemble film. But he is the glue that holds it all together and he’s extremely solid.

And what a cast- Jason Statham, Jet Li, Dolph Lundgren, Randy Couture, and Terry Crews form the rest of The Expendables and Mickey Rourke plays a former team member who’s since retired from the life but still hangs with his pals. Statham has been one of my favorite guys to see in movies for awhile now, and he doesn’t disappoint here. He and Stallone have the tightest relationship amongst the group and their chemistry is very good. In the action sequences, while all of the guys are very effective, Statham tends to standout to me with an intensity to his moves that just looks authentic. Jet Li is given top billing in the movie, though his part is a little smaller than Stallone’s and Statham’s, but he also gets the chance to provide some cool comedy relief as well as have one terrific fight sequence with Dolph lundgren.

But it doesn’t stop there, of course we have the uncredited appearances of Bruce Willis and Arnold Schwarzenegger that have certainly been pushed strong in the trailers for the film. Stallone, Schwarzenegger and Willis are just together for one scene, but it’s a good one. Willis plays the man who’s hiring for the job and Schawarzenegger is the head of a rival mercenary group. Willis brings the intensity to the scene and Stallone and Schwarzenegger take some funny shots at each other. It’s very short, but it still feels like your genuine moment that’s a special thing if you’re a fan of big-ass action movies.

And it still doesn’t stop, Eric Roberts is absolutely terrific as the villain of the piece and Stone Cold Steve Austin plays his right hand man. Roberts looks great here and he’s just a commanding presence whenever he’s on screen. Austin has few words, but when they’re delivered, they’re authentic. He literally goes toe-to-toe with Stallone in one fight sequence, and hands Stallone his hat.

The Expendables is the last of the big three “Men on a Mission” movies for the year (the other two being The Losers and The A-Team) and I have to say, it’s my favorite of the bunch. It’s a rollicking ride that’s self-aware without spoofing and delivers the good with some prime action sequences and big stars. It’s also left open-ended, so there’s the chance for sequels and I hope Stallone and company return for more (and hopefully work with other action stars as well, like Steven Seagal, Jean-Claude Van Damme, and Dwayne Johnson amongst others). Fun stuff and highly recommended.