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Back Seat Box Office Shows

Back Seat Box Office #61

IT’S A MIRACLE!

Amongst the hosts, Tony was first this week with 25 points, Jonathan was second with 18 while Andrew was third with 10 points. Ten weeks into Season Two Tony is in first with 21.2 points, Jonathan is in second with 18.7 points and Andrew is in third with 18.2.

Visit our scoreboard for a comprehensive list of results as well as an explanation of our scoring system. Play along at home, email or call your picks in before noon on Saturday and get on the board.

New movies debuting in wide release this weekend are Happy Feet Two and The Twilight Saga: Breaking Dawn (Part One).

Tony, Jonathan and Andrew are making the same picks again this week in a quest for an Oscar-season Golden Trifecta:

  1. The Twilight Saga: Breaking Dawn Part 1
  2. Happy Feet 2
  3. The Immortals
  4. Jack and Jill
  5. Puss in Boots
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Back Seat Box Office BSBO Results Shows

Back Seat Box Office #60 Results and Voice Mail

Congrats to Tony for the solo 25 this week.

Thanks to Tad and Scott for the voice mail that help round out the show.

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Back Seat Quickies Shows

Back Seat Quickies #22: Diary of Wimpy Kid: Rodrick Rules

In the seat (and are we there yet?)

  • Scott

Recorded 11/13/11 in a serene outdoor setting.

Categories
Announcement

Weekend Box Office: November 11 – 13

#1 Immortals from Relativity debuts at #1 with an opening weekend gross of $32.2 million in 3112 theaters. Budget was $75 million.

#2 Jack and Jill from Sony debuts at #2 with an opening weekend gross of $25.0 million in 3438 theaters. Budget is unknown.

#3 Puss in Boots from Paramount/Dream Works drops from #1 to #3 with a weekend gross of $24.7 million (-25.2%) in 3903 theaters (-60). Total gross to date is $108.0 million. Budget was $130 million.

#4 Tower Heist from Universal drops from #2 to #4 with a weekend gross of $12.7 million (-46.8%)in 3370 theaters (+3). Total gross to date is $43.4 million. Budget was $75 million.

#5 J. Edgar from Warner Brothers debuts at #5 with an opening weekend gross of $11.2 million in 1910 theaters. Budget is unknown.

#6 A Very Harold & Kumar 3D Christmas from Warner Brothers drops from #3 to #6 with a weekend gross of $5.9 million (-54.3%) in 2875 theaters (no change). Total gross to date is $23.2 million. Budget was $19 million.

Rounding out the top 12 are:

#7 In Time drops from #5 to #7 with a weekend gross of $4.0 million (-45.4%) in 2591 theaters (-536). Total gross to date is $30.5 million. Budget was $40 million.

#8 Paranormal Activity 3 drops from #4 to #8 with a weekend gross of $3.6 million (-56.7%) in 2776 theaters (-510). Total gross to date is $100.8 million. Budget was $5 million.

#9 Footloose (2011) drops from #6 to #9 with a weekend gross of $2.7 million (-39.0%) in 2215 theaters (-596). Total gross to date is $48.7 million. Budget was $24 million.

#10 Real Steel drops from #7 to #10 with a weekend gross of $1.8 million (-45.7%) in 1758 theaters (-680). Total gross to date is $81.6 million. Budget is unknown.

#11 Moneyball drops from #10 to #11 with a weekend gross of $1.0 million (-40.3%) in 813 theaters (-465). Total gross to date is $71.8 million. Budget was $50 million.

#12 Courageous holds at #12 with a weekend gross of $1.0 million (-34.3%) in 905 theaters (-233). Total gross to date is $31.5 million. Budget was $2 million.

The combined gross of the top 12 movies this weekend was $126.2 million (+21.8%).

New movies debuting in wide release this weekend are Happy Feet Two and The Twilight Saga: Breaking Dawn (Part One).

A note on “Gross”: On average, studios will earn approximately 55 percent of the final gross.

Sources:
Box Office Mojo

Categories
Back Seat Producers Season 07 Shows

BSP Episode 204: Yojimbo

Welcome to week #1 of our Kurosawa Month.

Your producers for this episode are:

  • Tony
  • David
  • Darrell

This episode was recorded 11/2/11.

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Announcement

Theatrical Review: Immortals

The evil king, Hyperion of Crete seeks to invade Greece and conquer the Gods of Olympus by using the fabled Epirus Bow to unleash the Titans from their imprisonment in the bowels of Mount Tartarus.  Planning for this moment, a disguised Zeus has been giving guidance to Theseus since his boyhood and now hopes for Theseus to inspire the Grecians to thwart the king.

That’s the basic premise of the latest movie from director Tarsem Singh, Immortals. Tarsem’s past movies have included the serial killer movie The Cell (which I really enjoyed) and The Fall (which I haven’t seen, but I’ll have to rectify that), and are both marked by his unique visual style.  That unique visual style is also the real star of Immortals.

But that’s not to say that there isn’t more at work here, there certainly is.  I know liberties have been taken with Theseus’ story for this film which I’m sure will upset the purists.  The myth gets translated into a new version that has a real emphasis on bloody pulp adventure more than anything else.  As I said in my review for The Three Musketeers, I’m a big comic book fan and I’m used to seeing classic characters get new translations, and that’s certainly at play here.  I’m open to this, but can certainly understand that others might be upset by it.  If you’re thinking about seeing this and you absolutely have to see the pure story of Theseus, you’re probably going to be disappointed.

I wasn’t and just had a real ball with this movie.  Oh, I’ll certainly grant that it has it’s holes and that it’s characters are somewhat limited, but for this film, that just didn’t bother me.  As I said above, Tarsem’s visual style is the big star here and oh… this film just revels in it.

There is an artificiality in the look of the film that I just find really appealing and gives the film more the sense of watching it play out on a really big and elaborate stage more than being filmed on live locations.  Last year’s The Warrior’s Way did this with spectacular results and it’s also in evidence on Starz’s terrific Spartacus TV series.  Of course, many comparisons are being drawn to what Zack Snyder did with 300 which is inevitable, but Tarsem steps that up a bit with a few of his own tricks, in particular a little twist on the slow-motion fight sequences that occur at the end of the film between the Gods and the Titans.  These sequences have the Titans falling in battle in slow-motion while simultaneously having the Gods continue their fight in a sped up way.  It’s absolutely stunning watching these play out, even moreso considering the color palette used in the scenes and having the Gods stand out in their gleaming golden attire.

Now that’s not to say that the cast doesn’t do a good job, they certainly do, but they take a back seat to the visuals.  Henry Cavill (the new Superman for Zack Snyder’s upcoming movie) plays the part of Theseus and certainly has conviction to the role, though the character doesn’t have any real complexity, but then for this type of movie, I thought that was just fine.  He absolutely looks the part and after this, I’m even more enthusiastic to see what he’ll do as Superman.  Frieda Pinto (last seen in one of the big surprise hits of the year, Rise of the Planet of the Apes) plays Phaedra, the oracle who sees what’s to come.  She certainly has more to do here than she did in Rise and she’s an stunning beauty.  Luke Evans (last seen as Aramis in The Three Musketeers and John Hurt share the role of Zeus with Hurt playing Zeus as he appears to the mortals and Evans as Zeus appears to the Gods.  Both are a lot of fun to watch, though Evans gets the best of it by being showcased in some of the spectacular end fight scenes.  Steven Dorff (who I wouldn’t have expected to see in a movie like this) plays Stavros, a thief turned sidekick to Theseus, and while he doesn’t quite shine as brightly as others, he stills looks like he’s having a ball with the part.

The real standout in the cast though is Mickey Rourke as King Hyperion.  Rourke is at the top of his game here, not just physically but really giving out this whole atmosphere of threat and sadism.  He’s just magnetic in the part and shines every time he’s on screen.

I saw this in 3D and I thought it was really well done, though not necessarily for in-your-face effects.  Opinions vary wildly on 3D and certainly with good reason, though now I’m becoming more and more convinced that it really does depend on where you see it.  At the theatre that I regularly attend, Immortals was being shown in their newest and most state-of-the-art presentation.  The picture was bright and detailed with the 3D really highlighted things like planes in faces and subtle differences in character placement.  As I said above, Immortals has an artificial look that looks like it’s being played out on a huge stage and for me, the 3D heightened that effect.  I don’t think it’s absolutely necessary to see this in 3D, but if you’re still supportive of the gimmick and have access to a room with primo presentation, I’d certainly recommend seeing Immortals that way.

I saw Immortals with 3 other friends and we all came away with this just having a fantastic time with it.  It certainly does have it’s shortcomings with some aspects of it’s story and characters.  But, it’s stunning visuals and pure bloody pulp presentation drive it in such a way that at least for me was just electric.  I’d very much recommend seeing it, though I suspect I’m going to be in the minority for my enjoyment.

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Back Seat Box Office Shows

Back Seat Box Office #60

Make sure you stick around at the end for two special things.  One of which is a new segment that I need to better prepare to put into the main show… Introducing Back Seat Box Office UK

Andrew

  1. Puss in Boots
  2. Tower Heist
  3. A Very Harold and Kumar 3D Christmas
  4. The Immortals
  5. Jack and Jill

Tony

  1. The Immortals
  2. Jack and Jill
  3. Puss in Boots
  4. Tower Heist
  5. J. Edgar

Jonathan

  1. Puss in Boots
  2. The Immortals
  3. Jack and Jill
  4. Tower Heist
  5. A Very Harold and Kumar 3D Christmas
Categories
Back Seat Quickies Shows

Back Seat Quickies #21: Eden of the East: Paradise Lost

In the seat:

  • Scott

Recorded 11/06/11

Remember you too can submit your own review to Backseat Quickies. Just read the forum to find out how.

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Back Seat Producers Season 07 Shows

BSP Episode 203: Sausage Fest and Archon

We submit this to you and hope you and hope that you enjoy our tales of [REDACTED], of how we [REDACTED], and of how [REDACTED] jumped off the top of the [REDACTED] broke through the [REDACTED] then turned around, dropped his [REDACTED], which, of course, scared off the hookers, though strangely not the nuns.

Enjoy!

Categories
News

Weekend Box Office: November 4-6

#1 Puss in Boots from Paramount/Dream Works holds at #1 with a weekend gross of $33.0 million (-3.0%) in 3963 theaters (+11). Total gross to date is $75.5 million. Budget was $130 million.

#2 Tower Heist from Universal debuts at #2 with an opening weekend gross of $24.0 million in 3367 theaters. Budget was $75 million.

#3 A Very Harold & Kumar 3D Christmas from Warner Brothers debuts at #3 with an opening weekend gross of $12.9 million in 2875 theaters. Budget was $19 million.

#4 Paranormal Activity 3 from Paramount drops from #2 to #4 with a weekend gross of $8.3 million (-54.1%) in 3286 theaters (-43). Total gross to date is $95.1 million. Budget was $5 million.

#5 In Time from Fox drops from #3 to #5 with a weekend gross of $7.4 million (-37.9%) in 3127 theaters (+5). Total gross to date is $23.9 million. Budget was $40 million.

#6 Footloose (2011) from Paramount drops from #4 to #6 with a weekend gross of $4.4 million (-18.8%) in 2811 theaters (-413). Total gross to date is $44.7 million. Budget was $24 million.

Rounding out the top 12 are:

#7 Real Steel drops from #6 to #7 with a weekend gross of $3.4 million (-28.2%) in 2438 theaters (-476). Total gross to date is $78.7 million. Budget is unknown.

#8 The Rum Diary drops from #5 to #8 with a weekend gross of $2.9 million (-43.1%) in 2292 theaters (+19). Total gross to date is $10.3 million. Budget was $45 million.

#9 The Ides of March drops from #8 to #9 with a weekend gross of $1.9 million (-30.9%)in 1391 theaters (-181). Total gross to date is $36.7 million. Budget is unknown.

#10 Moneyball drops from #9 to #10 with a weekend gross of $1.7 million (-25.2%) in 1278 theaters (-353). Total gross to date is $70.2 million. Budget was $50 million.

#11 The Three Musketeers (2011) drops from #7 to #11 with a weekend gross of $1.6 million (-51.6%) in 1863 theaters (-1154). Total gross to date is $18.0 million. Budget was $75 million.

#12 Courageous drops from #10 to #12 with a weekend gross of $1.5 million (-16.2%) in 1138 theaters (+4). Total gross to date is $29.9 million. Budget was $2 million.

The combined gross of the top 12 movies this weekend was $103.6 million (+10.8%).

New movies debuting in wide release this weekend are Immortals, Jack and Jill and J. Edgar.

A note on “Gross”: On average, studios will earn approximately 55 percent of the final gross.

Sources:
Box Office Mojo