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Back Seat Box Office Shows

Back Seat Box Office #141 & Results #140

A VERY SPECIAL CONGRATULATIONS TO MONTY!!  THE WINNER OF SEASON 4!! WOO HOO!

Congrats to Jeff and Lena for their perfect scores of 25!

Good luck, everyone… let Season 5 begin!

Picks:

Lena:

  1. After Earth
  2. Now You See Me
  3. Fast and Furious 6
  4. The Hangover Part III
  5. Star Trek Into Darkness

Jeff

  1. Fast and Furious 6
  2. After Earth
  3. Now You See Me
  4. Star Trek Into Darkness
  5. Epic

Art

  1. Fast and Furious 6
  2. After Earth
  3. The Hangover Part III
  4. Now You See Me
  5. Star Trek Into Darkness

There are no other movies in wide release this weekend.

Back Seat Art House Picks

  • Lena – The East
  • Jeff, Art – The Kings of Summer

 

 

Categories
Announcement

Weekend Box Office: May 24-May 26

#1 Fast & Furious 6 from Universal opened at #1 with a gross of $97.4 million in 3,658 theaters.  Budget was $160 million.

#2 The Hangover Part III from Warner Bros. opened at #2 with a gross of $41.7 million in 3,555 theaters.  Total gross to date is $53.5 million.  Budget was $103 million.

#3 Star Trek Into Darkness from Paramount fell from #1 to #3 with a gross of $37.3 million (-46.9%) in 3,907 theaters (+39).  Total gross to date is $146.1 million.  Budget was $190 million.

#4 Epic from 20th Century Fox opened at #4 with a gross of $33.5 million in 3,882 theaters.  Budget was $100 million.

#5 Iron Man 3 from Buena Vista fell from #2 to #5 with a gross of $19.3 million (-46%) in 3,424 theaters (-813).  Total gross to date is $367.4 million.  Budget was $200 million.

#6 The Great Gatsby from Warner Bros. fell from #3 to #6 with a gross of $13.5 million (-43.4%) in 3,090 theaters (-460).  Total gross to date is $114.3 million.  Budget was $105 million.

#7 Mud from Roadside Attractions rose from #8 to #7 with a gross of $1.9 million (-13.1%) in 712 theaters (-248).  Total gross to date is $14.5 million.  Budget was unknown.

#8 42 from Warner Bros. fell from #6 to #8 with a gross of $1.3 million (-55.2%) in 915 theaters (-1,465).  Total gross to date is $14.5 million.  Budget was $40 million.

#9 The Croods from 20th Century Fox fell from #5 to #9 with a gross of $1.2 million (-59.7%) in 1,008 theaters (-1,365).  Total gross to date is $179.2 million.  Budget was $135 million.

#10 Oblivion from Universal fell from #7 to #10 with a gross of $870 thousand (-62.8%) in 572 theaters (-1,505).  Total gross to date is $87.3 million.  Budget was $120 million.

#11 Oz The Great and Powerful from Buena Vista held at #11 with a gross of $652 thousand (-25.2%) in 401 theaters (-134).  Total gross to date is $232.2 million.  Budget was $215 million.

#12 Pain and Gain from Paramount fell from #4 to #12 with a gross of $643 thousand (-80.1%) in 1,003 theaters (-1,426).  Total gross to date is $48.6 million.  Budget was $26 million.

The combined gross of the top 12 movies this weekend was $249.3 million.

Sources:
Box Office Mojo

 

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Back Seat Producers Season 08 Shows Special Episode

BSP Special Episode 16: We Just Watched A Movie – Some Like It Hot

So, no… this is NOT an episode of Back Seat Producers.

Longtime listeners of BSP or BSBO might recognize Jonathan ‘The Stingray’ Holmberg as one of the hosts here.

We Just Watched a Movie is another movie review podcast who is less jackassy and more organized than BSP.  I make it a point to listen to very few movie review podcasts and this is one of them that I never miss.

Give these guys a listen and if you like what you hear, make sure you let them know that you enjoyed them in the Back Seat.  Seriously… make sure you say that exactly.  “You guys were awesome when I found you in the Back Seat!”

We’ll be back (hopefully) next week with Django Unchained.

Categories
Announcement

Theatrical Review: Fast & Furious 6

Owen Shaw is a ruthless criminal mastermind who has been running roughshod through Europe, committing his own brand of “vehicular warfare” in pursuit of a computer chip that can cause a communications blackout for entire countries. In pursuit of Shaw is Federal Agent Luke Hobbs and his newly-minted partner Riley Hicks. With his investigation, Hobbs has found similarities between Shaw’s methods and that of the team put together by Dominic Toretto and Brian O’Connor, who Hobbs previously encountered in Rio de Janeiro. But something else has been discovered as well; Toretto’s former lover, Letty, who was believed to be dead, has been seen as part of Shaw’s crew. Now, Hobbs has tracked down Dom Toretto and has made him the offer to both find Letty and gain full pardons for his crew in exchange for their help in taking down Shaw.

That’s the nutshell premise to Fast & Furious 6, the obvious sixth film in the Fast & Furious franchise, from director Justin Lin, marking his fourth time at the helm of this series. Now I’ve mentioned this before (and surely well again) that just talking about this series brings a standard set of eye-rolling with some moviegoers. And while I love this series, and really enjoyed this film, I still don’t expect that to change the minds of those that look upon it in a downward direction. With Fast Five this venerable series changed it’s direction from being solely about the underground street racing culture to taking on heist film elements. That direction change continues further with Fast & Furious 6, going from heist film to out-and-out over-the-top crime action, but still maintaining elements that it’s known for. As I said, I love the series, and thought Fast Five was about as good as it gets with this. Fast & Furious 6 is still quite a bit of fun for it’s fans, though I do think it drops down a bit from it’s prior iteration.

The constant though that keeps this entertaining comes down to two things; a very entertaining cast of anti-hero characters who it’s audience have grown quite comfortable with and high-speed action that just gets upped a notch with each film. Both are certainly very apparent here, though I think the characters get a little short-changed while the action gets upped dramatically, especially during the film’s back third. Now keep in mind, when I’m talking about the characters here, I certainly know that we’re not talking about Oscar-calibre depth, I’m well aware of that, it’s just that the stakes for this crew seemed a little more grounded in the prior film that it does here. Conversely, the climactic action gets upped so much more that it seems like it’s more at home in a Japanese anime film than a live-action film. It’s all still quite a bit of fun, but it didn’t quite hit me with the same balance that Fast Five did.

The film still looks fantastic and even though the action scenes stretch credibility in whole new manners, they’re still very entertaining to watch. I don’t think of these movies as being high art by any means, but they’re certainly high state-of-the-art in their technical aspects.

Returning from the previous movies, we have Vin Diesel, Paul Walker, Dwayne Johnson, Jordana Brewster, Michelle Rodriguez, Tyrese Gibson, Sung Kang, Gal Godot, Elsa Pataky and Chris “Ludacris” Bridges. There’s an obvious chemistry at work here and it certainly goes a far way in projecting this franchise’s definition of family. As I said, those of us who are fans of the series are comfortable with these players and the characters they play. They don’t really rock the boat a whole lot here, though there are a couple of little surprises.

New players this time around include Gina Carano, Joe Taslim and Luke Evans. Carano plays Hobbs’ new partner, Riley Hicks. Prior to this film, Carano is best known for her MMA talents and her starring role in Stephen Soderbergh’s Haywire. I think the absolute world of Carano, she’s always fun to watch and she doesn’t disappoint here at all, though with such a large cast, she doesn’t get the chance to be as showy as what she was in Haywire but still, she’s a welcome addition. Joe Taslim plays Jah, a member of Shaw’s crew. Prior to this movie, Taslim was best known for being in the Indonesian action thriller, The Raid: Redemption and I certainly thought it was cool to see his addition here and he certainly gets a chance to show his action chops in a nice scene with Gibson and Kang. Luke Evans plays Owen Shaw, the main villain of the piece and before this movie, he’s been in such films as The Three Musketeers, Immortals and The Raven. Most recently, Evans was in the Anchor Bay/WWE co-production No One Lives in which he played quite the twisted character, so he’s no stranger to a villainous role. Evans is pretty darn good here and I get more impressed with him each time I see him. This won’t win him any awards, but still he commands the screen and can certainly hold his own with the leads.

I really did have a good time with Fast & Furious 6 though as I said above, I don’t think it quite hits the same balance that Fast Five had. I’d mentioned the short-changing of the characters and part of that short-changing includes just how large this cast is, and added to that was that Shaw’s crew was pretty much, as it’s termed by Tyrese Gibson’s Roman character, the “evil-twin” version of Toretto’s crew. On one side, that’s really cool to see but on the other side, that puts this film as having just as many characters as a Tolkien adaptation but with only 130 minutes to deal with them all. Now again, I’m not expecting award-winning stuff here, but still something that grounds this more. It’s still a lot of fun, there’s a lot of thrills, but it’s not quite as “on” as what the prior film was. By the film’s end though, we’re left in a place that can return the series to it’s roots, and that may not necessarily be a bad thing at this point in the series, especially after the little teaser of what’s to come right as the credits get ready to roll. Even with my own issues with the film, I’d still recommend Fast & Furious 6 pretty highly, especially if you’re already a fan of the series. As I understand it right now, the seventh film in the series is already on the books for coming out next year, but this time around in the hands of director James Wan, who’s best known for the first Saw movie. It will certainly be interesting to see what comes next.

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Back Seat Box Office Shows

Back Seat Box Office #140 & Results #139

Sorry for the delay, totally my fault – Tony

 

Congrats to Monty, BD, Cougron, Jeff and Scott for their high scores of 24!

Thanks to Nick for his voice mail.

Picks:

Lena

  1. Fast & Furious 6
  2. The Hangover Part III
  3. Star Trek Into Darkness
  4. Epic
  5. Iron Man 3

Art

  1. The Hangover Part III
  2. Fast & Furious 6
  3. Epic
  4. Star Trek Into Darkness
  5. Iron Man 3

There are no other movies in wide release this weekend.

Back Seat Art Picks:

  • Lena – We Steal Secrets: The Story of Wikileaks
  • Art – Before Midnight
Categories
Announcement

Weekend Box Office: May 17-May 19

#1 Star Trek Into Darkness from Paramount opened at #1 with a gross of $70.2 million in 3,868 theaters.  Total gross to date is $83.7 million.  Budget was $190 million.

#2 Iron Man 3 from Buena Vista fell from #1 to #2 with a gross of $35.8 million (-50.7%) in 4,237 theaters (-16).  Total gross to date is $337.7 million.  Budget was $200 million.

#3 The Great Gatsby from Warner Bros. fell from #2 to #3 with a gross of $23.9 million (-52.2%) in 3,550 theaters (+15).  Total gross to date is $90.7 million.  Budget was $105 million.

#4 Pain and Gain from Paramount fell from #3 to #4 with a gross of $3.2 million (-35.3%) in 2,429 theaters (-874).  Total gross to date is $46.7 million.  Budget was $26 million.

#5 The Croods from 20th Century Fox rose from #7 to #5 with a gross of $3 million (-16.2%) in 2,373 theaters (-277).  Total gross to date is $177 million.  Budget was $135 million.

#6 42 from Warner Bros. fell from #5 to #6 with a gross of $2.8 million (-38.7%) in 2,380 theaters (-550).  Total gross to date is $88.8 million.  Budget was $40 million.

#7 Oblivion from Universal fell from #6 to #7 with a gross of $2.3 million (-43.2%) in 2,077 theaters (-693).  Total gross to date is $85.6 million.  Budget was $120 million.

#8 Mud from Roadside Attractions held at #8 with a gross of $2.2 million (-12.2%) in 960 theaters (+108).  Total gross to date is $11.7 million.  Budget was unknown.

#9 Tyler Perry Presents Peeples from Lionsgate fell from #4 to #9 with a gross of $2.1 million (-53.2%) in 2,041 theaters.  Total gross to date is $7.9 million.  Budget was $15 million.

#10 The Big Wedding from Lionsgate fell from #9 to #10 with a gross of $1.2 million (-51.4%) in 1,443 theaters (-855).  Total gross to date is $20.3 million.  Budget was $35 million.

#11 Oz The Great and Powerful from Buena Vista fell from #10 to #11 with a gross of $871 thousand (-19.2%) in 535 theaters (-239).  Total gross to date is $231.4 million.  Budget was $215 million.

#12 G.I. Joe: Retaliation from Paramount rose from #15 to #12 with a gross of $580 thousand (-4.5%) in 409 theaters (-341).  Total gross to date is $120.5 million.  Budget was $130 million.

The combined gross of the top 12 movies this weekend was $148.3 million.

Sources:
Box Office Mojo

 

Categories
Back Seat Quickies Shows

Back Seat Quickies #90: Secrets and Marketing

In the Seat:

  • Scott

Recorded 05/21/13

Categories
Back Seat Producers Season 08 Shows

BSP Episode 271: Silver Linings Playbook

Show Notes soon.

Categories
Announcement

Theatrical Review: Star Trek Into Darkness

Captain Kirk and the crew of the starship Enterprise have successfully prevented the destruction of a developing world, but at a cost; violating the Prime Directive of the Federation and exposing their ship to the primitive culture of the planet. While the right and wrong of this action is being explored, a greater threat is developing. A major Federation London-based installation has just been destroyed in a massive act of terrorism committed by a rogue Federation operative named John Harrison. Now, it’s up to Kirk, Spock and the crew of the Enterprise to find and kill Harrison before further acts of terrorism can occur.

That is a real loose description to the premise of Star Trek Into Darkness, the follow-up film to 2009’s massively successful Star Trek from director J.J. Abrams. Abrams is back at the helm for this sequel and to say that I was impressed and satisfied with this film would be an understatement.

When Abrams first re-booted the franchise in 2009, I thought he did it 100% right; he took the classic characters that Star Trek is best known for (Kirk, Spock, McCoy, et al) and brought them back to the start of their careers, keeping familiar Star Trek tropes and giving them a new kick but still remaining true to it’s source. That plan is continued with Star Trek Into Darkness with further exploration of the relationship between Kirk and Spock as well as the rest of their crew, though it is somewhat lighter this time around than it was in 2009. There’s plenty of little easter eggs here for the long-time Trek fan (like myself) and some new takes with other facets of Trek lore, which I really can’t go into because that would involve some pretty big spoilers and honestly, I have no desire to spoil anything with this review.

The film absolutely looks fantastic from all facets; production design, cinematography, and the look of the cast. In 2009, I was pleased as can be to see the classic original series uniforms brought back and they’re still in play here, helping to give this a bright and colorful look, which sort of spits in the face of what the popular trend is now in the depiction of classic genre characters on the big screen and further… it still works. Composer Michael Giacchino is back with an excellent score that continues it’s original theme, punctuates the action in the right places and still pays homage to the original. I chose to see this movie in 3D and I thought it was pretty impressive 3D my own self. It’s immersive and in-your-face and at least for me added a little more to the world on-screen. Now with that said, I don’t think it’s necessary to see the movie in 3D to fully appreciate it, but I certainly enjoyed it.

The only complaint that I have about the film at all is just in the title. The addition of “Into Darkness” just seems there to be a marketing tool to tell newcomers to the series that this is going to plunge the series into a realistic grittiness that they want to embrace. But there’s nothing here that at least to me seemed to say that on say the same level of a Batman movie. This version of the classic characters are still very much in a formative stage with this film and by it’s end, it’s now capable to advance to new territory or at least new territory for this version of the characters. There is still very much hope and optimism here. It may not be enough to suit some fans, but for me, I thought it was satisfying and I can’t wait to see the next film.

A large part of the anticipation is due to this excellent cast. Chris Pine, Zachary Quinto, Karl Urban, Zoe Saldana, Simon Pegg, John Cho and Anton Yelchin are all back reprising their characters from the original, as is Bruce Greenwood. One of my favorite moments in the whole movie occurs midway through the film and just features an exchange of dialogue between Kirk, Spock and McCoy and right at that moment, Chris Pine, Zachary Quinto and Karl Urban cemented the deal for me. they weren’t just new actors taking on the parts, they were the characters that I know and love.

New to this film are Alice Eve and Peter Weller and I think both are pretty terrific in their parts, but I don’t want to say more without spoiling things. Benedict Cumberbatch plays John Harrison and for me, this is my first exposure to Cumberbatch as I still have yet to see the Sherlock series. I was extremely impressed with this young actor and just think he’s destined to bigger things down the road. When J.J. Abrams makes the seventh Star Wars movie, he’d be wise to do something with Cumberbatch in that as well.

There’s certainly a lot of debate out there right now of whether or not this is “true” Star Trek and looking over the reviews section in the IMDB website, I see a lot of disappointment from long-time fans of the series. Well, I’m a long-time fan of the series as well and this works for me. It takes a classic series and gives it a bright new sheen while adding in a few new aspects (most notably, the Spock/Uhura relationship). By the end of Star Trek Into Darkness we’re left in a place where this series now has an opportunity to move beyond it’s initial starting point from being more Earth-centric and characters still in the process of gelling together. I’m eager to see what happens next. Very much recommended.

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Back Seat Box Office Shows

Back Seat Box Office #139 & Results #138

Congrats to Lena and Mrs. Beast for their perfect 25s!

Thanks to Art, Nick and Tad for their voice mails.

Welcome to the Back Seat family, Art!

Picks:

Lena

  1. Star Trek Into Darkness
  2. Iron man 3
  3. The Great Gatsby
  4. Pain and Gain
  5. Peeples

Jeff

  1. Star Trek Into Darkness
  2. Iron Man 3
  3. The Great Gatsby
  4. Pain and Gain
  5. 42

Art

  1. Star Trek Into Darkness
  2. Iron Man 3
  3. The Great Gatsby
  4. 42
  5. Peeples

There are no other movies in wide release this weekend.

Back Seat Art House picks:

  • Lena – The English Teacher
  • Jeff – Black Rock
  • Art – Old Dogs